Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.
Jantar Sharp
by CAST- Aa Glyphs
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About Jantar Sharp Font Family
Jantar Sharp is a text family with flared terminals that eludes the categories of serif or sans. Its most recognisable features are taken from both styles to achieve proper design and high legibility standards. Jantar Sharp performs especially well when used for continuous reading including texts on web platforms. Its personality lies in the flared stroke endings and certain details which make its shapes neither sans nor serifs. Rather than following any particular historical model, it picks up elements from various periods to achieve an organically dynamic look which is entirely compatible with the reading process.
Jantar Sharp Italic makes a nice contrast, though the pace and proportions are not drastically different from the upright. This allows for effortless reading of longer passages of italicised text.
Jantar Sharp – as well as its teammate Jantar Flow – has been designed in seven weights from ExtraLight to Heavy, all with accompanying italics; it has a tabular and proportional set of figures in both old style and lining options are included together with a special set of hybrid figures sitting between x-height and capitals. Superscripts and subscripts are provided together with a vast collection of diacritics covering all European language and a set of case-sensitive characters.
Designers: Radek Łukasiewicz
Publisher: CAST
Foundry: CAST
Design Owner: CAST
MyFonts debut: Mar 14, 2022
About CAST
CAST (Cooperativa Anonima Servizi Tipografici) is a digital type foundry set up as a cooperative. Sole Serif and Sole Sans (EDA Silver 2019) are among its best sellers. Besides its type collections, CAST offers a wide range of consulting services (custom design, engineering, training and teaching) and actively promote the culture of type through Cast it, a publication that makes use of texts from the history of typography as specimens, and the Articles section of its website.
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