Seleccione este tipo de licencia cuando esté desarrollando una aplicación app para iOS, Android o Windows Phone, y vaya a incrustar el archivo en el código de su aplicación móvil. va a incrustar el archivo fuente en el código de su aplicación móvil.
825 Karolus
por GLC
Estilos individuales desde $38.00 USD
![825 Karolus Font Poster 1](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/30539_1ce65d0ad2758d33f5d6c59e6df0b9d1.png)
![825 Karolus Font Poster 2](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10001/168153_88daba33d46046152fd2936b2ab10bfa.png)
825 Karolus Fuente La familia era
diseñada por
publicado por
GLC. 825 Karolus contiene
1
estilos.
Más información sobre esta familia
Sobre la familia 825 Karolus Fuente
In the beginning of the 800s, during the reign of Carolus Magnus (or “Karolus”, as he signed himself), a great reformation of the written characters was conducted under the authority of Alcuin, Paul Diacre and Theodulfe. The new style, named “Caroline” script, was completely set up between 820 to 830. It was a regular script, with few ligatures, very legible, but only with lowercase. The capitals remained the old Romans ones.
We have created the font to serve contemporary users, making a difference between U and V, and also between I and J, which had no relevance for ancient Latin scribes. We also added Thorn, Oslash, Lslash, W, and and the usual accented characters that did not exist at the time. Titlings (initial letters, without accents), historical and contextual alternates completes the set (in two separate files for MacOS9).
825 Karolus
![](https://cdn.myfonts.net/cdn-cgi/image/width=150,height=150,fit=contain,format=auto/images/pim/10004/w5DjnVLkXAOtIF5w5NZjrvuo_92e9f77bf23d340127ce3dd26b81c4c1.jpg)
Acerca de GLC
Gilles Le Corre was born in 1950 in Nantes, France. Painter since the end of 70s, he is also an engraver and calligrapher. He has been learning about medieval art and old books for as long as he can remember. More recently he has made the computer a tool for writing like the quill pen and ink. With it, he aims to make it possible to print books that look just like old ones! Beginning in 2007 he has been trying to reproduce, very exactly, a wide range of historic European typefaces, mainly from medieval and early periods of printing - his favorite period - from 1456 with Gutenberg, up to 1913 with a font inspired by a real old typewriter.
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