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FF Amman Sans

FF Amman™ Sans

por FontFont
Estilos individuales desde $58.99 USD
Familia completa de 14 fuentes: $818.99 USD
FF Amman Sans Fuente La familia era diseñada por Yanone y publicado por FontFont. FF Amman Sans contiene 28 estilos y opciones de paquetes familiares.

Más información sobre esta familia
30 DÍAS DE PRUEBA GRATUITOS de Monotype Fonts para obtener más de 150.000 fuentes de más de 1.400 fundiciones tipográficas. Iniciar prueba gratuita
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Por Estilo:

$29.49 USD

Paquete de 2 estilos:

$58.99 USD

Sobre la familia FF Amman Sans Fuente


German type designer Yanone created this sans FontFont in 2010. The family has 14 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as poster and billboards. FF Amman Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Arabic writing system. This FontFont is a member of the FF Amman super family, which also includes FF Amman Serif.

Diseñadores: Yanone

Editorial: FontFont

Fundición: FontFont

Propietario del diseño: FontFont

MyFonts debut: Nov 29, 2011

FF Amman™ Sans is a trademark of Monotype GmbH and may be registered in certain jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Acerca de FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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