Seleccione este tipo de licencia cuando esté desarrollando una aplicación app para iOS, Android o Windows Phone, y vaya a incrustar el archivo en el código de su aplicación móvil. va a incrustar el archivo fuente en el código de su aplicación móvil.
Bakewell
por Kimmy Design
Estilos individuales desde $25.00 USD
Familia completa de 56 fuentes: $150.00 USD
Bakewell Fuente La familia era
diseñada por
Kimmy Kirkwood y
publicado por
Kimmy Design. Bakewell contiene
56
estilos y opciones de paquetes familiares.
Más información sobre esta familia
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¡Mejor PrecioPaquetes de familia
- Estilos individuales
- Especificaciones técnicas
- Licencias
Bakewell Regular Family
18 fuentesPor Estilo:
$4.16 USD
Paquete de 18 estilos:
$75.00 USD
Bakewell Wide Family
14 fuentesPor Estilo:
$5.35 USD
Paquete de 14 estilos:
$75.00 USD
Bakewell Semi-Wide Family
14 fuentesPor Estilo:
$5.35 USD
Paquete de 14 estilos:
$75.00 USD
Bakewell Narrow Family
14 fuentesPor Estilo:
$5.35 USD
Paquete de 14 estilos:
$75.00 USD
Sobre la familia Bakewell Fuente
Bakewell is the 4th typeface of the Winslow Type System. It's a low contrast sans-serif with ball terminals and a sweet disposition. The typeface includes a wide range of styles, widths and weights that make it a great addition to any type collection. From Narrow to Wide and Hairline to Bold, the font family offers extended optionality. Packed with Opentype Features, users can create one-of-a-kind designs perfectly tailored to their specific needs!
Diseñadores: Kimmy Kirkwood
Editorial: Kimmy Design
Fundición: Kimmy Design
Propietario del diseño: Kimmy Design
MyFonts debut: May 5, 2022
Bakewell
Acerca de Kimmy Design
“Kimmy Design is based out of Santa Monica, CA, but it’s as mobile as I am,” Kimmy Kirkwood says. “I love finding new inspiration and I work from Seattle, Palm Springs, Santa Monica, or wherever the next adventure takes me!” Kimmy founded her company in 2010; the same year that she graduated from college. Her first typeface, Madeleine, which is based on a logotype that she had created for a hotel in Positano, Italy, was actually a part of one of her final collegiate projects. She used it as an opportunity to teach herself about the intricacies of type design and develop the programming skills needed to create a true working font. Since then, her most successful designs have included Lunchbox and Lunchbox Slab: quirky hand-drawn typefaces that give an incredible array of customizable options and an authentically hand-crafted look. “My goal with these,” she says, “was to make them unique enough that the end product from any designer would look as if it was all made by hand.” “I love organic typefaces. Creating something that looks naturally handcrafted and letting the customers make it their own. In every hand drawn family I make I include multiple weights, styles and variations.” Kimmy uses contextual alternates in her typefaces and typically creates 3-5 variations of each letter, giving her fonts a truly hand-lettered feel. “I also usually include stylistic alternatives, which range from creating simple variations on specific letters to a unique style alternative for every character. Small Caps are a great way to give more options to designers while keeping the width and size of the font consistent. All of my font families are multilingual, and many include full Cyrillic and Greek alphabets. Whenever possible, I always include some sort of swash - either in fancy capitals, at the beginning and end of characters, or stylistic swashes.” All of these customizable options give the young designer’s families an intimate, personal feel. “Two different people could use my font and create something totally unique from one another. That’s what makes them so fun to use!”
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