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CA Normal Serif

CA Normal Serif

por Cape Arcona Type Foundry
Estilos individuales desde $40.00 USD
Familia completa de 10 fuentes: $280.00 USD
CA Normal Serif Fuente La familia era diseñada por Stefan Claudius y publicado por Cape Arcona Type Foundry. CA Normal Serif contiene 10 estilos y opciones de paquetes familiares.

Más información sobre esta familia
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Sobre la familia CA Normal Serif Fuente


CA Normal Serif is the perfect companion to its grotesque brother CA Normal. But it is not just a serifed equivalent. It has a character of its own while preserving the principal proportions and the idea of quirkiness. It was not the aim to build a typeface that can immediately be identified as a relative of CA Normal. The intention was to create a matching typeface in aspects of aesthetic and concept. Whereas commonly serif-companions to grotesques are old-style or slab-serif, CA Normal Serif is situated between modern and slab-serif typefaces. CA Normal Serif is a little bit of an uncomfortable typeface. Nothing is smooth and cozy. It picks up elements of classic newspaper type as brought to us by Chauncey H. Griffith's legibility group, sharing the flavor of abrasive details and "slabbish" serifs. But the proportions are more condensed than the ones of its predecessors giving it a bit more elegance, which moves it closer to the aesthetic of "Scotch Romans".

Diseñadores: Stefan Claudius

Editorial: Cape Arcona Type Foundry

Fundición: Cape Arcona Type Foundry

Propietario del diseño: Cape Arcona Type Foundry

MyFonts debut: Jul 6, 2011

CA Normal Serif

Acerca de Cape Arcona Type Foundry

The Cape Arcona Type Foundry is a type studio based in Essen/Germany run by Stefan Claudius and Thomas Schostok, established in 2002. In our work, we are aiming for typefaces with a non-conformist personality. Over the years, the field of business expanded from individual typeface design to custom font production, corporate and logo design and complex text-font families. This is the kind of work we love: Thinking beyond the ordinary, imagining better worlds and better fonts.

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