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Chameleon

Chameleon

por Fontforecast
Estilos individuales desde $10.00 USD
Familia completa de 16 fuentes: $74.00 USD
Chameleon Fuente La familia era diseñada por Hanneke Classen y publicado por Fontforecast. Chameleon contiene 16 estilos y opciones de paquetes familiares.

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    Sobre la familia Chameleon Fuente


    Chameleon consists of 16 fonts based on 3 completely different designs. Different but specially designed to complement each other. Together they form a well-balanced design kit suitable for many different projects, e.g. invites, menus, magazines, brochures, packaging, etc. Chameleon comes in three styles: 2 outline versions and a basic (solid) version. To combine Chameleon with Chameleon Fill, you will need an application that allows you to stack text frames. Once you start layering different fills, like a true chameleon, you can change colors and patterns. Simply place several layers on top of each other, choose from 7 fills to determine your pattern and assign a color to the fill. Always place one of the outline versions of Chameleon on the top layer. Chameleon Pen was added to give you the possibility to spice up your design with a personal touch. It is a charming handwritten font, which was first written out with a dip pen and ink, then scanned in and digitalized. It comes in regular and italic. And then there is Chameleon Sketch for a bit of nonchalance to add to your designs. The Outline, Hatch and Solid version can be used separately, or stacked to create a shadowy or multi-colored effect. On top of that, you'll find 102 glyphs of extra fun to play with in Chameleon Sketch Extra.

    Diseñadores: Hanneke Classen

    Editorial: Fontforecast

    Fundición: Fontforecast

    Propietario del diseño: Fontforecast

    MyFonts debut: Oct 22, 2013

    Chameleon

    Acerca de Fontforecast

    Hanneke Classen started Fontforecast in 2013 as a label of Storm Creative Consultancy, an advertising agency where she works to this day as a graphic and type designer. “Working with fonts as a designer day in, day out made me curious about the process of designing fonts,” she says. “As soon as I dived into the ins and outs of font design, I was hooked.” It was in that same year that she finished work on her first two font families:

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