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Chupada

Chupada

por Tipo Pèpel
Estilos individuales desde $14.00 USD
Familia completa de 10 fuentes: $69.00 USD
Chupada Fuente La familia era diseñada por Josep Patau y publicado por Tipo Pèpel. Chupada contiene 10 estilos y opciones de paquetes familiares.

Más información sobre esta familia
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Sobre la familia Chupada Fuente


Chupada is an ultra-condensed font family noted for their exaggerated x-height, which consists of five different weights, accompanied by their italic version. It contains all the central european characters and Cyrillic. Chupada with its bold semi-modular forms make it ideal for use in headlines, posters, titles and anywhere you need for create impact.

Diseñadores: Josep Patau

Editorial: Tipo Pèpel

Fundición: Tipo Pèpel

Propietario del diseño: Tipo Pèpel

MyFonts debut: Jan 31, 2012

Chupada

Acerca de Tipo Pèpel

Located in a small town, Les Borges Blanques, Spain, Tipo Pèpel is a digital type foundry run by Josep Patau. The self-taught designer began producing experimental typefaces in 1996 and started selling them through MyFonts in 2011. His debut font, Anduaga, was a revival from Joseph de Anduaga y Garimberti, the XVII´s famous spanish calligrapher. Since then, his library had expanded to include nearly two dozen font families, each of which is unique and reflects the small country town he comes from with a familiar rural feel. Some of Josep’s best selling typefaces, including Pobla, Bridone, and Cinta, really demonstrate the impact his home has on his designs, while Boxed, a semi-modular geometric font, is a step outside of this theme. “All of my projects excite me and I put my best into each of them, doing everything with my own two hands,” Josep says. “I treat them all like my children.” With a focus on the details and creating high quality drawings, each of his fonts offers an extended character map that is fully capable with OpenType features. He also diligently insures that each of his typefaces is legible in all sizes. “I think that this is one of my goals because I always begin my designs by thinking about the final use if the font,” he says. “I worry about this a lot, so I do thousands of tests before launching the final font to ensure high quality standards and full satisfaction for final users.”

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