Aprende
USD ($)
  • USD ($)
  • GBP (£)
  • EUR (€)
  • AUD ($)
  • JPY (¥)
  • BRL ($)
  • CAD ($)
  • NZD ($)
EN
  • EN - English (UK)
  • DE - Deutsch
  • FR - Français
  • ES - Español
Subscripciones
Inicio / Fonts / Ludwig Type / Contemporary Sans
Contemporary Sans

Contemporary Sans

por Ludwig Type
Estilos individuales desde $45.00 USD
Familia completa de 16 fuentes: $335.00 USD
Contemporary Sans Font Poster 1 Contemporary Sans Font Poster 2 Contemporary Sans Font Poster 3 Contemporary Sans Font Poster 4 Contemporary Sans Font Poster 5
Contemporary Sans Fuente La familia era diseñada por Ludwig Übele y publicado por Ludwig Type. Contemporary Sans contiene 16 estilos y opciones de paquetes familiares.

Más información sobre esta familia
30 DÍAS DE PRUEBA GRATUITOS de Monotype Fonts para obtener más de 150.000 fuentes de más de 1.400 fundiciones tipográficas. Iniciar prueba gratuita
Iniciar prueba gratuita

Contemporary Sans Family

 16 fuentes

¡Mejor Precio!

Por Estilo:

$20.93 USD

Paquete de 16 estilos:

$335.00 USD

Comprar
Véase 6 más Ver menos
Añadir a álbum
Añadir a Favoritas

Opciones de licencia

Sobre la familia Contemporary Sans Fuente

Contemporary Sans is a unique grotesque with a distinct contrast between its horizontal and vertical strokes that gives it a lively and elegant appearance. Friendly, subtly formed strokes and individual letter forms make it both legible and pleasant to read at small sizes, and striking at display sizes. Its narrow proportions make it a very easily useable typeface, particularly for narrow columns or tight headlines. It is suited to a wide range of applications, from corporate to editorial design, where a clear and distinctive impression is required. Visit this minisite to see the Contemporary Sans webfonts in action.

Diseñadores: Ludwig Übele

Editorial: Ludwig Type

Fundición: Ludwig Type

Propietario del diseño: Ludwig Type

MyFonts debut: Sep 25, 2015

Contemporary Sans

Acerca de Ludwig Type

“It always begins with an idea,” Ludwig Übele said in his Creative Characters interview. Ludwig has made a name for himself designing text families that are known for being quietly unorthodox: sophisticated in detail yet incredibly readable even in small sizes. For this designer, typography means being able to see both the forest and the trees; serving the content while still providing it with a unique and distinct voice. “I’ve always felt that type offers more substance because it is such an integral part of our culture, with a history that goes back thousands of years,” he said. “And although letters are everywhere and everyone is constantly using them, only very few people are consciously concerned with the forms of the letters themselves.” “I am simply trying to design new, lively and readable letters.” And he has done just that with a library that successfully combines serious text families such as Marat and Augustin with playful fonts like Daisy, a recipient of the TDC2 award. Of his affinity for designing text fonts he says, “I often find so-called text faces more interesting because they are designed for immersive reading and need to work well in small sizes. I’m interested in how to make a font as a whole – not so much the individual letters – and how to create a specific text image that is both interesting and enjoyable to read.” He doesn’t just make retail fonts, but also does commissioned work, mostly with lettering, logos and custom-made fonts. “I just hope to create typefaces that have a certain relevance to type design in general,” he says of his design philosophy, “types that inspire other type designers.”

Seguir leyendo

Leer menos