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Dasha

Dasha™

por Magpie Paper Works
Estilos individuales desde $16.00 USD
Familia completa de 2 fuentes: $36.00 USD
Dasha Font Poster 1 Dasha Font Poster 2 Dasha Font Poster 3 Dasha Font Poster 4 Dasha Font Poster 5 Dasha Font Poster 6 Dasha Font Poster 7 Dasha Font Poster 8 Dasha Font Poster 9 Dasha Font Poster 10
Dasha Fuente La familia era diseñada por Jessica McCarty y publicado por Magpie Paper Works. Dasha contiene 2 estilos y opciones de paquetes familiares.

Más información sobre esta familia
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Dasha Family

 2 fuentes

¡Mejor Precio!

Por Estilo:

$18.00 USD

Paquete de 2 estilos:

$36.00 USD

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Opciones de licencia

Sobre la familia Dasha Fuente

Dasha is a vintage-inspired and hand-drawn font, with an alphabet that bounces naturally along a dancing baseline. Inside the font you'll find a host of Opentype features and over 1,000 alternate characters, including a full set of alternate capital letters and 22 alternate ampersand characters (contextual alternates), seamless ligatures that automatically connect as you type (discretionary ligatures), beginning and end-of-word swashes plus a set of elaborate swashed capital letters (swash feature, and stylistic set 1 for Word users), old-style numerals (old style numerals) and arbitrary fractions (fractions). For best results, be sure to use Dasha in Opentype-friendly applications.

Diseñadores: Jessica McCarty

Editorial: Magpie Paper Works

Fundición: Magpie Paper Works

Propietario del diseño: Magpie Paper Works

MyFonts debut: Nov 18, 2013

Dasha™ is a trademark of Magpie Paper Works LLC.

Acerca de Magpie Paper Works

Nestled in rural North America, you’ll find the farmhouse that’s home to Magpie Paper Works. If the foundry’s owner and sole designer, Jessica McCarty, isn’t tucked inside designing typefaces, she’s more than likely out chicken wrangling and apple picking. Jessica left behind agency life in 2010, opting instead to create her own studio. Her first font, Saissant, a rough, kinetic calligraphy script, was a non-traditional typeface that was almost instantly very popular. “I created Saissant,” she says, “because I was working on a client’s project and needed a font that looked truly handmade and wild, only to discover that there weren’t really any options available at the time. I figured that if I couldn’t find what I was looking for, I should make it instead. The rest was history!” The self-taught designer approaches each project with a strong background in calligraphy and typographic illustration; a toolset that brings a hand-lettered feel to each of her typefaces. This is especially true for Jessica’s best selling font, Ondise: a calligraphy font with robust Opentype features and a warm, fresh and charming vibe. Jess says that she’s seen her fonts used in everything from logos and wedding invitations to West Elm catalogs and even in the movie adaptation of The Great Gatsby. “It’s wonderful to have full creative freedom,” she says, “and I adore collaborating directly with clients to help them get the most out of their font purchases.”

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