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Enamel

por Reserves
Licencias desde $49.00 USD
Familia completa de 3 fuentes: $49.00 USD
La familia tipográfica Enamel fue diseñada por Michael Jarboe y publicada por Reserves. Enamel contiene 3 estilos y opciones de paquete familiar.

Más información sobre esta familia

Enamel

3 fuentes

¡Mejor Precio!

  • Enamel Base

  • Enamel Inline

  • Enamel Line

Por Estilo:

$16.33 USD

Paquete de 3 estilos:

$49.00 USD

Sobre la familia


Enamel is an inline bold condensed sans based on a modified version of Sorren. The original letterforms have been customized and carefully adapted to accommodate the monolinear inlay. The dual layers that make up Enamel are united as one with the Inline style, yet are available as separate styles for managing multicolor use. Stylistically, Enamel expands on Sorren's classic, timeless feel with the inline detailing exuding a feel reminiscent of traditional lettering and signage art. For more contemporary, experimental applications the two extreme layer styles can be used independently of each other extending its use beyond tradition. Features include: Precision kerning Standard Ligatures set including 'f' ligatures (ff, fi, fj, fl, ffi, ffj, ffl, ae, oe, AE, OE) Discretionary Ligatures set including (No [numero]) Alternate characters (Aringacute, hcircumflex, and numero sign) Case forms (shifts various punctuation marks up to a position that works better with all-capital sequences) Capital Spacing (globally adjusts inter-glyph spacing for all-capital text) Slashed zero Full set of numerators/denominators superior/inferior numerals Tabular Lining, Proportional Lining, Tabular Oldstyle and Proportional Oldstyle Figures Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Diseñadores: Michael Jarboe

Editorial: Reserves

Fundición: Reserves

Propietario del diseño: Reserves

MyFonts debut: Aug 14, 2012

Enamel

Acerca de Reserves

Reserves is an independent type practice focused on a library of designs spanning structured, utilitarian forms and experimental, expressive styles. The collection includes condensed sans-serifs, modular stencils, geometric constructions, and idiosyncratic display faces, often shifting between clarity and graphic intensity. Some families emphasize versatility and restraint, while others explore unconventional rhythms and contrast. The library documents a formative period of independent exploration in typography.

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