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FF Oxide Stencil

FF Oxide™ Stencil

por FontFont
Estilos individuales desde $59.99 USD
Familia completa de 3 fuentes: $146.99 USD
FF Oxide Stencil Fuente La familia era diseñada por Christian Schwartz y publicado por FontFont. FF Oxide Stencil contiene 3 estilos y opciones de paquetes familiares.

Más información sobre esta familia
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FF Oxide Stencil Pro Volume

3 fuentes

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Sobre la familia FF Oxide Stencil Fuente


American type designer Christian Schwartz created this display and sans FontFont in 2005. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for advertising and packaging, music and nightlife, poster and billboards, software and gaming as well as sports. FF Oxide Stencil provides advanced typographical support with features such as ligatures, titling alternates, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Oxide super family, which also includes FF Oxide Solid.

Diseñadores: Christian Schwartz

Editorial: FontFont

Fundición: FontFont

Fundición original: FontFont

Propietario del diseño: FontFont

MyFonts debut: Nov 5, 2006

FF Oxide™ Stencil is a trademark of Monotype GmbH and may be registered in certain jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Acerca de FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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