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FF Providence Sans

FF Providence® Sans

por FontFont
Estilos individuales desde $89.99 USD
Familia completa de 2 fuentes: $100.99 USD
FF Providence Sans Fuente La familia era diseñada por Guy Jeffrey Nelson y publicado por FontFont. FF Providence Sans contiene 2 estilos y opciones de paquetes familiares.

Más información sobre esta familia
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FF Providence Sans Pro Volume

2 fuentes

¡Mejor Precio!

Por Estilo:

$50.49 USD

Paquete de 2 estilos:

$100.99 USD

Sobre la familia FF Providence Sans Fuente


American type designer Guy Jeffrey Nelson created this script FontFont in 1994. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, festive occasions, poster and billboards as well as web and screen design. FF Providence Sans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining figures. This FontFont is a member of the FF Providence super family, which also includes FF Providence.

Diseñadores: Guy Jeffrey Nelson

Editorial: FontFont

Fundición: FontFont

Propietario del diseño: FontFont

MyFonts debut: Jan 1, 2000

FF Providence® Sans is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Acerca de FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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