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Flanker Tanagra

Flanker Tanagra

por Flanker
Estilos individuales desde $12.00 USD
Familia completa de 2 fuentes: $16.00 USD
Flanker Tanagra Fuente La familia era diseñada por Leonardo Di Lena y publicado por Flanker. Flanker Tanagra contiene 2 estilos y opciones de paquetes familiares.

Más información sobre esta familia
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Flanker Tanagra Complete Family

2 fuentes

¡Mejor Precio!

Por Estilo:

$8.00 USD

Paquete de 2 estilos:

$16.00 USD

Sobre la familia Flanker Tanagra Fuente


In order to give new imput to the art of typeface design in Italy, Nebiolo Company held, in March 1910, an artistic competition for a new alphabet conception, so the best-ranked design would be transformed into a real new typeface. 42 competitors participated and, although the first prize was not technically awarded, "Ancora" resulted as the best typeface, created by the designer-typographer Natale Varetti of Turin. Nonetheless, the new alphabet was transformed into a full-fledged metal typeface in 1924, renamed "Tanagra" in honor of the Greek city in the center of Boeotia.


The new font, although not significantly detached from the classical Roman form, introduced decorative elements that allowed its use in both rational and artistic compositions. This font appears very clear and easy to read, with very high ascenders and some decorations that make it distinctly retrò.


Finally, after almost 100 years, this peculiar character has been digitized taking it as a model the shapes of the 16 points size (other dimensions have significantly different contrasts and proportions). To adapt it to modern use, some glyphs have been modified, but all the originals are available as Stylistic Alternate OTF, as well as all the swashed variants while the missing ones were added.

Diseñadores: Leonardo Di Lena

Editorial: Flanker

Fundición: Flanker

Propietario del diseño: Flanker

MyFonts debut: Apr 11, 2022

Flanker Tanagra

Acerca de Flanker

Leonardo Di Lena is a graphic and type designer from Italy. A lifelong typeface enthusiast, he loves studying historical fonts, as well as creating new typefaces never seen before. He has spent countless hours exploring the intricacies of various fonts, dissecting their anatomy, and reveling in the beauty of well-crafted type. He is continuously inspired by the ever-evolving landscape of fonts and the brilliant minds behind their creation. Exploring the works of renowned type designers and discovering hidden gems in the typographic universe fuels his enthusiasm and keeps he on a perpetual quest for the perfect font for any given context.

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