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Lombriz

Lombriz

por Sudtipos
Estilos individuales desde $79.00 USD
Lombriz Fuente La familia era diseñada por Alejandro Paul, Angel Koziupa y publicado por Sudtipos. Lombriz contiene 1 estilos.

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Sobre la familia Lombriz Fuente


Lombriz attempts to bridge the gap between different kinds of typography - including packaging, signage, and sporting. The result is a heavy, yet casual, 1950s-inspired semi-connected script. The freestyle Lombriz feels friendlier, more readable, and a touch more ‘real’ than most scripts of its kind. In certain settings, the thickness of the stroke in the capital letters accentuates, while the lowercase flows like casual, brush-drawn letters should. Lombriz comes equipped with more than 50 alternates and custom ligatures. These extras are conveniently tucked into the OpenType version for those programs that support such functionality.

Diseñadores: Alejandro Paul, Angel Koziupa

Editorial: Sudtipos

Fundición: Sudtipos

Fundición original: Sudtipos

Propietario del diseño: Sudtipos

MyFonts debut: Jan 23, 2009

Lombriz

Acerca de Sudtipos

Sudtipos is a new collective Argentinian type foundry. New blood, new attitude. A joint venture of four professional designers with lots of expertise in different areas like branding, packaging design, corporate identity, television and new media. “The foundry, or collective as we prefer to designate it, started because of that — packaging, editorial or brand designers making fonts for real designers” Alejandro Paul, one of the company’s founders, said in his Creative Characters interview. Alejandro “Ale” Paul made a name for himself drawing and programming some of the most intricate script fonts ever digitized. “My experience in branding product packaging was a natural catalyst for me to be interested in scripts and seek like-minded people for the collective.” The collective’s bestselling scripts include Bowling Script, Horizontes Script and Hipster Script Pro, which was named one of MyFonts’ most popular fonts of 2012, and was recognized by both Typographica and Type Directors Club that same year. “Our aim is to always be graphic designers making typefaces for graphic designers,” Ale said. “We try not to lose that particular focus. We’re always thinking about how to make a graphic designer’s work easier when it comes to using the type element in his or her design.”

The Premium Foundry Page can be viewed Here.

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