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FF Marselis

FF Marselis®

por FontFont
Estilos individuales desde $62.99 USD
Familia completa de 8 fuentes: $345.99 USD
FF Marselis Fuente La familia era diseñada por Jan Maack y publicado por FontFont. FF Marselis contiene 8 estilos y opciones de paquetes familiares.

Más información sobre esta familia
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Sobre la familia FF Marselis Fuente


Danish type designer Jan Maack created this sans FontFont in 2012. The family has 8 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as web and screen design. FF Marselis provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates.The typeface was selected as one of Typographica’s favorite typefaces of 2012. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Diseñadores: Jan Maack

Editorial: FontFont

Fundición: FontFont

Propietario del diseño: FontFont

MyFonts debut: May 6, 2013

FF Marselis® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Acerca de FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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