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FF Max Demi Serif

FF Max® Demi Serif

por FontFont
Estilos individuales desde $59.99 USD
Familia completa de 8 fuentes: $345.99 USD
FF Max Demi Serif Fuente La familia era diseñada por Morten Rostgaard Olsen y publicado por FontFont. FF Max Demi Serif contiene 14 estilos y opciones de paquetes familiares.

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Sobre la familia FF Max Demi Serif Fuente


Danish type designer Morten Olsen created this serif FontFont between 2003 and 2004. The family has 14 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, software and gaming as well as sports. FF Max Demi Serif provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Max super family, which also includes FF Max.

Diseñadores: Morten Rostgaard Olsen

Editorial: FontFont

Fundición: FontFont

Propietario del diseño: FontFont

MyFonts debut: Dec 30, 2004

FF Max® Demi Serif is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Acerca de FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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