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FF Meta Headline

FF Meta® Headline

por FontFont
Estilos individuales desde $71.99 USD
Familia completa de 4 fuentes: $229.99 USD
FF Meta Headline Fuente La familia era diseñada por Christian Schwartz, Joshua Darden, Erik Spiekermann y publicado por FontFont. FF Meta Headline contiene 12 estilos y opciones de paquetes familiares.

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30 DÍAS DE PRUEBA GRATUITOS de Monotype Fonts para obtener FF Meta Headline y más de 150.000 fuentes. Iniciar prueba gratuita
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Sobre la familia FF Meta Headline Fuente


German type designer Erik Spiekermann and American type designers Christian Schwartz and Josh Darden created this display and sans FontFont in 2005. The family has 12 weights, ranging from Light to Black in Compressed, Condensed, and Normal and is ideally suited for book text, editorial and publishing as well as poster and billboards. FF Meta Headline provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Meta super family, which also includes FF Meta, FF Meta Correspondence, and FF Meta Serif.

Diseñadores: Christian Schwartz, Joshua Darden, Erik Spiekermann

Editorial: FontFont

Fundición: FontFont

Propietario del diseño: FontFont

MyFonts debut: Nov 19, 2008

FF Meta® Headline is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Acerca de FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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