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FF Mister K

FF Mister K®

por FontFont
Estilos individuales desde $45.99 USD
Familia completa de 7 fuentes: $99.99 USD
FF Mister K Fuente La familia era diseñada por Julia Sysmäläinen y publicado por FontFont. FF Mister K contiene 7 estilos y opciones de paquetes familiares.

Más información sobre esta familia
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Sobre la familia FF Mister K Fuente


Finnish type designer Julia Sysmäläinen created this script FontFont inspired by Franz Kafka’s manuscripts in 2008. The family contains several styles and is ideally suited for unique visual identities, festive occasions, music and nightlife as well as software and gaming. FF Mister K provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript character, and stylistic alternates. This FontFont is a member of the FF Mister K super family, which also includes

FF Mister K Dingbats

,

FF Mister K Informal

, and

FF Mister K Splendid

. Find more information on FF Mister K’s very own Website

ffmisterk.com

.

Diseñadores: Julia Sysmäläinen

Editorial: FontFont

Fundición: FontFont

Propietario del diseño: FontFont

MyFonts debut: Mar 16, 2010

FF Mister K® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Acerca de FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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