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Mon Nicolette

Mon Nicolette

por Sudtipos
Estilos individuales desde $49.00 USD
Familia completa de 10 fuentes: $149.00 USD
Mon Nicolette Fuente La familia era diseñada por Cristóbal Henestrosa y publicado por Sudtipos. Mon Nicolette contiene 10 estilos y opciones de paquetes familiares.

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    Sobre la familia Mon Nicolette Fuente


    This is a digital revival by Cristóbal Henestrosa based on an experimental typeface named Charter, designed – yet never fully accomplished – by the prominent William Addison Dwiggins. It is an upright italic, unconnected script typeface, whose main features are a pronounced contrast, condensed forms and exaggerated ascenders. While Dwiggins worked on this project from 1937 to 1955, he only completed the lowercase and a few other characters. However, it was used to set a specimen in 1942 and a short novel in 1946. The sources that Cristóbal used for Mon Nicolette were the original sketches by WAD as well as printing trails kept at the Boston Public Library, and a copy of the 1946 edition of The Song-Story of Aucassin and Nicolette. This gorgeous typeface can be used successfully in headlines, subheads and short passages of text from 12 points onwards, in applications such as fashion magazines, soft news, advertising, poetry, albums, and book covers. This project started ten years ago, while Cristóbal was studying the Type@Cooper Extended Program at New York City. A previous version was selected to be part of the Biennial Tipos Latinos 2018, and now Mon Nicolette is finally ready for commercial distribution with Sudtipos… and we are very proud of it! Festina lente.

    Diseñadores: Cristóbal Henestrosa

    Editorial: Sudtipos

    Fundición: Sudtipos

    Propietario del diseño: Sudtipos

    MyFonts debut: Jul 9, 2020

    Mon Nicolette

    Acerca de Sudtipos

    Sudtipos is a new collective Argentinian type foundry. New blood, new attitude. A joint venture of four professional designers with lots of expertise in different areas like branding, packaging design, corporate identity, television and new media. “The foundry, or collective as we prefer to designate it, started because of that — packaging, editorial or brand designers making fonts for real designers” Alejandro Paul, one of the company’s founders, said in his Creative Characters inte...

    The Premium Foundry Page can be viewed Here.

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