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FF More

FF More®

por FontFont
Estilos individuales desde $72.99 USD
Familia completa de 30 fuentes: $1,322.99 USD
FF More Fuente La familia era diseñada por Łukasz Dziedzic y publicado por FontFont. FF More contiene 30 estilos y opciones de paquetes familiares.

Más información sobre esta familia
30 DÍAS DE PRUEBA GRATUITOS de Monotype Fonts para obtener más de 150.000 fuentes de más de 1.400 fundiciones tipográficas. Iniciar prueba gratuita
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Sobre la familia FF More Fuente


Polish type designer Lukasz Dziedzic created this serif FontFont in 2010. The family has 30 weights, ranging from Light to Black in Condensed, Normal and Wide (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries as well as small text. FF More provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. In 2011, FF More received the CommArts award.

Diseñadores: Łukasz Dziedzic

Editorial: FontFont

Fundición: FontFont

Propietario del diseño: FontFont

MyFonts debut: May 6, 2013

FF More® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Acerca de FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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