Ir directamente al contenido
Inicio / Fonts / Kostic / Pagewalker
Pagewalker

Pagewalker

por Kostic
Estilos individuales desde $40.00 USD
Familia completa de 6 fuentes: $140.00 USD
Pagewalker Fuente La familia era diseñada por Nikola Kostić y publicado por Kostic. Pagewalker contiene 6 estilos y opciones de paquetes familiares.

Más información sobre esta familia
30 DÍAS DE PRUEBA GRATUITOS de Monotype Fonts para obtener más de 150.000 fuentes de más de 1.400 fundiciones tipográficas. Iniciar prueba gratuita
Iniciar prueba gratuita

    Restablecer

    Sobre la familia Pagewalker Fuente


    The name of the font is chosen to suggest its main purpose—setting multiple pages of text. All the features in this family were made with that in mind—legibility, distinct italics, small caps and various OpenType features, all make this font a useful tool for typographers. On the other hand, for packaging, posters, logotypes, etc. setting heavier weights in large size brings out its display qualities. Pagewalker is very legible and appears to be larger than other text typefaces. That is because the lower-case characters are made large compared to the capital letters. This means it can be used for setting text in, e.g. 9 pt size—while appearing to be 10 pt, but occupying less space. Pagewalker has a character set to support Western and Central European languages, and an extended set for monetary symbols which, in combination with tabular numbers, is perfect for financial reports. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.

    Diseñadores: Nikola Kostić

    Editorial: Kostic

    Fundición: Kostic

    Fundición original: Kostic

    Propietario del diseño: Kostic

    MyFonts debut: Aug 10, 2011

    Pagewalker

    Acerca de Kostic

    Kostić Type Foundry is a small, independent type foundry run by the father-and-son team Zoran and Nikola Kostić. Zoran began designing fonts in 1987 out of necessity—his DTP studio required PostScript Cyrillic fonts, which were unavailable at the time. What started as a practical need soon became a lifelong passion, leading him to create numerous original typefaces, including Batke, Beograd, KosticSans, KosticSerif, Lapidary Capitals, Sketch, D...

    Seguir leyendo