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Romana

Romana

por Bitstream
Estilos individuales desde $29.99 USD
Familia completa de 2 fuentes: $55.99 USD
Romana Fuente La familia era diseñada por Gustav F. Schroeder, Theophile Beaudoire y publicado por Bitstream. Romana contiene 2 estilos y opciones de paquetes familiares.

Más información sobre esta familia
30 DÍAS DE PRUEBA GRATUITOS de Monotype Fonts para obtener Romana y más de 150.000 fuentes. Iniciar prueba gratuita
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Romana Complete Family Pack

2 fuentes

¡Mejor Precio!

Por Estilo:

$27.99 USD

Paquete de 2 estilos:

$55.99 USD

Sobre la familia Romana Fuente


The French interest in the revival of suitably edited Oldstyle romans as an alternative to a world of Modern typefaces started in 1846 when Louis Perrin cut the Lyons capitals. About 1860, as Phemister was cutting the Miller & Richard Old Style in Edinburgh, Theophile Beaudoire turned the idea of the Lyons capitals into a complete Oldstyle typeface, with similar overwhelming success; it was generally known as Elzevir in France and Roemisch, Romanisch, Romaans or Romana in Germany, Holland and Switzerland. In 1892, Gustav Schroeder, at the Central Division of ATF, expanded the series, adding a boldface under the name De Vinne. It was promptly copied, initially in Europe by Ludwig & Mayer, and spread rapidly throughout the US and Europe, becoming the best known member of the series. ATF made popular an ornamental form under the name De Vinne Ornamental.

Diseñadores: Gustav F. Schroeder, Theophile Beaudoire

Editorial: Bitstream

Fundición: Bitstream

Propietario del diseño: Bitstream

MyFonts debut: Jan 1, 2000

Romana

Acerca de Bitstream

Bitstream is known among type enthusiasts and professionals alike as being one of the companies that lead the way towards the democratization of type. For centuries, the type world had been the exclusive domain of skilled typographers who worked large, cumbersome presses. With the birth of digital type though, came a revolution in the industry that enabled Bitstream, one of the first digital type foundries, to help grow the desktop publishing industry. The company’s founders shared a vision in which desktop publishing and digital type would open up doors and allow for the access of previously exclusive typefaces to a broader public audience. Eventually, this idea of opening up the type market led to the development of fonts like Amerigo and New Lincoln Gothic; designs that played huge roles in the launching, and eventual success, of desktop publishing. With best-selling typefaces like Futura in its line up, this library made an enormous impact on the type industry and helped to form it into what it is today.

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