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Inicio / Fonts / Storm Type Foundry / Serapion
Serapion

Serapion™

por Storm Type Foundry
Estilos individuales desde $39.00 USD
Familia completa de 4 fuentes: $134.00 USD
Serapion Fuente La familia era diseñada por František Štorm y publicado por Storm Type Foundry. Serapion contiene 4 estilos y opciones de paquetes familiares.

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Serapion Pro Family

 4 fuentes

¡Mejor Precio!

Por Estilo:

$33.50 USD

Paquete de 4 estilos:

$134.00 USD

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Sobre la familia Serapion Fuente

Another variation on the Renaissance-Baroque Roman face, it extends the selection of text type faces. In comparison with Jannon, the contrast within the letters has been enhanced. The dynamic elements of the Renaissance Roman face have been strengthened in a way which is illustrated best in the letters "a", "b" and "s". These letters contain, in condensed form, the principle of this type face - in round shapes the dark stroke invariably has a round finial at one end and a sharp one at the other. Another typical feature is the lower-case "g"; the upper part of this letter consists of two geometrically exact circles, the inner of which, a negative one, is immersed down on the right, upright to the direction of the lower loop and the upright knob. The vertical strokes slightly splay out upwards. Some details of the upper-case letters may seem to be too daring, but they are less apparent in the text sizes. It has to be admitted that typographers tend to draw letters in exaggerated sizes, as a result of which they stick to details. Serapion Italic are italics inspired partly by the Renaissance Cancelleresca. This is obvious from the drop-shaped finials of its lower-case descenders. The type face is suitable for illustrated books, art posters and short texts. It has a rather ugly name - after St. Serapion.

Diseñadores: František Štorm

Editorial: Storm Type Foundry

Fundición: Storm Type Foundry

Propietario del diseño: Storm Type Foundry

MyFonts debut: Apr 10, 2001

Serapion™ is a trademark of Storm Type Foundry.

Acerca de Storm Type Foundry

“I bought my first computer in 1993 and realized that there were no good fonts around," František Štorm says, “so I had to make my own.” He founded the Storm Type Foundry in Prague that same year in the hopes that he would be able to restore the classical values of typography that often times don’t get translated into the digital world. “I started the business when I realized that the fonts I made for myself could be useful for others,” he says. When he began digitizing original Czech typefaces, František teamed up with Otakar Karlas, Jan Solpera and Josef Tyfa, experienced Czech designers.“We are convinced that such teamwork is a guarantee of the permanence of the artistic value of our typefaces.” He made his MyFonts debut with Regent and has released nearly 90 typefaces since, resulting in a collective library that has evolved with the technologies of the last two decades. He started out by drawing alphabets which could be used in book printing, and then proceeded to alphabets for film and photosetting. Now that he is creating typefaces for screens, he focuses on retaining the human touches that have always made his typefaces personable.

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