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Shipley

Shipley

por E-phemera
Licencias desde $15.00 USD
Familia completa de 4 fuentes: $18.00 USD
Shipley Fuente La familia era diseñada por Andrew Leman y publicado por E-phemera. Shipley contiene 6 estilos y opciones de paquetes familiares.

Más información sobre esta familia
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Shipley Rough

4 fuentes

¡Mejor Precio!

  • Shipley Rough Shipley Rough

  • Shipley Rough Italic Shipley Rough Italic

  • Shipley Rough Italic Alt Shipley Rough Italic Alt

  • Shipley Rough SC Shipley Rough SC

Por Estilo:

$4.50 USD

Paquete de 4 estilos:

$18.00 USD

  • Shipley Shipley

  • Shipley Italic Shipley Italic

Por Estilo:

$7.50 USD

Paquete de 2 estilos:

$15.00 USD

Sobre la familia Shipley Fuente


Shipley is based on Kennerley, which is regarded by some as Goudy's most beautiful type, but which seems to have suffered from desuetude in recent decades. This version is based on vintage printed samples, primarily a leaflet from the mid-1920s published by the now-defunct Science League of America, which features a passionate defense of evolutionary theory signed by Science League president Maynard Shipley. There is a clean, crisp regular and italic, plus four different "rough" versions with irregular outlines to replicate the feel of worn metal type

Diseñadores: Andrew Leman

Editorial: E-phemera

Fundición: E-phemera

Propietario del diseño: E-phemera

MyFonts debut: May 28, 2004

Shipley

Acerca de E-phemera

E-phemera fonts are meant to revive type from years gone by in a way which captures the feeling of pre-digital printing technology. Most of the fonts in the collection were first developed for private use in designing vintage prop documents for movies and television shows. E-phemera fonts are inspired by old printed and hand-lettered material, and are usually designed a little rough and a little irregular, in deliberate defiance of the crisp perfection and merciless uniformity of modern digital fonts. Multiple letterforms and ligatures are provided, when possible and practical. We here at E-phemera fonts love computers and wouldn't do without them, but we also wish to remember and celebrate the days when every letter was an individual piece of metal or wood, and not just a collection of BCP data. Print is dead. Long live print!

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