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Trivia Sans

Trivia Sans™

por Storm Type Foundry
Estilos individuales desde $39.00 USD
Familia completa de 12 fuentes: $249.00 USD
Trivia Sans Fuente La familia era diseñada por František Štorm y publicado por Storm Type Foundry. Trivia Sans contiene 12 estilos y opciones de paquetes familiares.

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    Sobre la familia Trivia Sans Fuente


    When looking for a neutral typeface with no historic reminders, we always end up with notorious designs made about 60 years ago. It’s a part of the whole Trivia type system. To our surprise, there are still people who can’t distinguish three basic latin type categories. The present font family has been created for them. A simple typographic Trivia: three ways to look at printed word, three fonts to design anything from business card to a billboard, three tunes for endless variations.

    Diseñadores: František Štorm

    Editorial: Storm Type Foundry

    Fundición: Storm Type Foundry

    Propietario del diseño: Storm Type Foundry

    MyFonts debut: May 2, 2012

    Trivia Sans™ is a trademark of Storm Type Foundry.

    Acerca de Storm Type Foundry

    “I bought my first computer in 1993 and realized that there were no good fonts around," František Štorm says, “so I had to make my own.” He founded the Storm Type Foundry in Prague that same year in the hopes that he would be able to restore the classical values of typography that often times don’t get translated into the digital world. “I started the business when I realized that the fonts I made for myself could be useful for others,” he says. When he began digitizing original Czech typefaces, František teamed up with Otakar Karlas, Jan Solpera and Josef Tyfa, experienced Czech designers.“We are convinced that such teamwork is a guarantee of the permanence of the artistic value of our typefaces.” He made his MyFonts debut with Regent and has released nearly 90 typefaces since, resulting in a collective library that has evolved with the technologies of the last two decades. He started out by drawing alphabets which could be used in book printing, and then proceeded to alphabets for film and photosetting. Now that he is creating typefaces for screens, he focuses on retaining the human touches that have always made his typefaces personable.

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