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Wermut

Wermut

por Brownfox
Estilos individuales desde $54.00 USD
Familia completa de 2 fuentes: $86.00 USD
Wermut Fuente La familia era diseñada por Gayaneh Bagdasaryan S, Vyacheslav Kirilenko y publicado por Brownfox. Wermut contiene 2 estilos y opciones de paquetes familiares.

Más información sobre esta familia
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Wermut Complete Family

2 fuentes

¡Mejor Precio!

Por Estilo:

$43.00 USD

Paquete de 2 estilos:

$86.00 USD

Sobre la familia Wermut Fuente


An intoxicating blend of rare flavours is what makes the new transitional typeface Wermut (German for vermouth) resemble its alcoholic namesake. Bitter and thorny at first glance, it proceeds to surprise the palate with a complicated taste that leaves a pleasant aftertaste. Wermut may not be taken in hastily, but needs to be thoughtfully enjoyed at a measured pace. Its dark colour, compressed, spring-like, shapes, well-built proportions, and agreeable letterforms all look safe enough until one is jolted to encounter the clipped serifs that lend the page an unexpectedly edgy appearance. The font comes in two weights with an extended character set in Latin and Cyrillic scripts supporting 66 languages. A product of slow, careful distillation, this infusion of multiple ingredients comes together to form a unique mature taste which will be appreciated by true connoisseurs of typographic cocktails. Desined by Gayaneh Bagdasaryan and Vyacheslav Kirilenko.

Diseñadores: Gayaneh Bagdasaryan S, Vyacheslav Kirilenko

Editorial: Brownfox

Fundición: Brownfox

Propietario del diseño: Brownfox

MyFonts debut: Mar 1, 2016

Wermut

Acerca de Brownfox

Independent type foundry Brownfox offers a fresh perspective on Latin and Cyrillic fonts. We have a solid track record with text fonts optimised for on-screen reading, as well as with print fonts. Our work is firmly rooted in the typographic tradition, yet is unmistakably current. We aspire to create fonts of the highest degree of craftsmanship and up to the latest technical standards. The outcome that we pursue in our work – to augment familiar with something new. The most important thing for us is to find a new, bright, compelling and unique character of typefaces. One of the challenges here is to stay within the group of typefaces, called workhorses, fonts that cover a broad range of application areas. Principals: Gayaneh Bagdasaryan and Vyacheslav Kirilenko.

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