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FF Elementa

FF Elementa®

por FontFont
Estilos individuales desde $68.99 USD
Familia completa de 4 fuentes: $219.99 USD
FF Elementa Fuente La familia era diseñada por Mindaugas Strockis y publicado por FontFont. FF Elementa contiene 4 estilos y opciones de paquetes familiares.

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Sobre la familia FF Elementa Fuente


Lithuanian type designer Mindaugas Strockis created this slab FontFont between 1998 and 2002. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for advertising and packaging, festive occasions, small text as well as software and gaming. FF Elementa provides advanced typographical support with features such as small capitals, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with proportional oldstyle, tabular lining, and tabular oldstyle figures. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. This FontFont is a member of the FF Elementa super family, which also includes FF Elementa Rough.

Diseñadores: Mindaugas Strockis

Editorial: FontFont

Fundición: FontFont

Propietario del diseño: FontFont

MyFonts debut: Nov 29, 2011

FF Elementa® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

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Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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