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FF Unit

FF Unit®

por FontFont
Estilos individuales desde $104.99 USD
Familia completa de 14 fuentes: $1,007.99 USD
FF Unit Fuente La familia era diseñada por Christian Schwartz, Erik Spiekermann y publicado por FontFont. FF Unit contiene 14 estilos y opciones de paquetes familiares.

Más información sobre esta familia
30 DÍAS DE PRUEBA GRATUITOS de Monotype Fonts para obtener FF Unit y más de 150.000 fuentes. Iniciar prueba gratuita
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Sobre la familia FF Unit Fuente


German type designer Erik Spiekermann and American type designer Christian Schwartz created this sans FontFont between 2003 and 2011. The family has 14 weights, ranging from Thin to Ultra (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text, wayfinding and signage as well as web and screen design. FF Unit provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. In 2004, FF Unit received the TDC2 award. This FontFont is a member of the FF Unit super family, which also includes FF Unit Rounded and FF Unit Slab.

Diseñadores: Christian Schwartz, Erik Spiekermann

Editorial: FontFont

Fundición: FontFont

Propietario del diseño: FontFont

MyFonts debut: Feb 2, 2004

FF Unit® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Acerca de FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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