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Habano ST

Habano ST

por Sudtipos
Estilos individuales desde $39.00 USD
Habano ST Fuente La familia era diseñada por Alejandro Paul, Angel Koziupa y publicado por Sudtipos. Habano ST contiene 1 estilos.

Más información sobre esta familia
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Sobre la familia Habano ST Fuente


Habano is an eleganty flowing bold script with some very surprising traits. Taking its roots in both the art deco style and the kind of lettering used for pop culture, its minuscules are classy yet obedient, and its majuscules and figures are playfully round and memorable. This contrast in character between cases makes for an appealing display face that can turn simple words into images that are hard to forget. Once again, the unique lettering talent of Angel Koziupa makes itself evident through an alphabet that leaves the memory of its soft touch for long after it is initially perceived.

Diseñadores: Alejandro Paul, Angel Koziupa

Editorial: Sudtipos

Fundición: Sudtipos

Fundición original: Sudtipos

Propietario del diseño: Sudtipos

MyFonts debut: Aug 24, 2003

Habano ST

Acerca de Sudtipos

Sudtipos is a new collective Argentinian type foundry. New blood, new attitude. A joint venture of four professional designers with lots of expertise in different areas like branding, packaging design, corporate identity, television and new media. “The foundry, or collective as we prefer to designate it, started because of that — packaging, editorial or brand designers making fonts for real designers” Alejandro Paul, one of the company’s founders, said in his Creative Characters interview. Alejandro “Ale” Paul made a name for himself drawing and programming some of the most intricate script fonts ever digitized. “My experience in branding product packaging was a natural catalyst for me to be interested in scripts and seek like-minded people for the collective.” The collective’s bestselling scripts include Bowling Script, Horizontes Script and Hipster Script Pro, which was named one of MyFonts’ most popular fonts of 2012, and was recognized by both Typographica and Type Directors Club that same year. “Our aim is to always be graphic designers making typefaces for graphic designers,” Ale said. “We try not to lose that particular focus. We’re always thinking about how to make a graphic designer’s work easier when it comes to using the type element in his or her design.”

The Premium Foundry Page can be viewed Here.

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