Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.
Averta Standard PE™
by Intelligent Design
Individual Styles from $24.00 USD
Complete family of 56 fonts: $315.00 USD
Averta Standard PE Font Family was
designed by
Kostas Bartsokas and
published by
Intelligent Design. Averta Standard PE contains
56
styles and family package options.
More about this family
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- Aa Glyphs
-
Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
Averta Std PE Normal Family
18 fontsPer Style:
$8.27 USD
Pack of 18 styles:
$149.00 USD
Averta Std PE Narrow Family
18 fontsPer Style:
$8.27 USD
Pack of 18 styles:
$149.00 USD
Averta Std PE Condensed Family
18 fontsPer Style:
$8.27 USD
Pack of 18 styles:
$149.00 USD
Averta Standard PE Variable
2 fontsPer Style:
$143.50 USD
Pack of 2 styles:
$287.00 USD
About Averta Standard PE Font Family
Averta Standard is the basic version of Averta.
If you’ve got something to say, use Averta! Not illuminated with strings of lights, nor decorated in any way, Averta does not mince your words; the name is Greek (αβέρτα) and means to act or to speak openly, bluntly, without hiding. With Averta you will be recognised as direct and clear in a warm, appealing and friendly manner.
Designed by Kostas Bartsokas to remind us of clear geometric shapes in monolinear strokes, Averta firmly rests in the tradition of constructed grotesques from the first half of the twentieth century in Central Europe. Open apertures and a set of alternate characters such as a two-storey ‘a’ and a double-sloped ‘g’, typically found in Anglo-American gothics, lend the typeface warmth and express an appealing personality. Its portfolio of nine weights from extra-thin to black result in an extremely versatile family.
The five middle-weights of Averta were specifically designed for improved legibility at small sizes. As a sign of true mastery of the geometric genre, this is achieved through careful refinement in those moments were bows transition into stems. On the other hand, the two lightest and the two heaviest weights are improved to assume a confident presence in headlines. What’s more, in contrast to the geometric nature of Averta’s upright styles, no compass and ruler were involved in the design of its corresponding italics, adding a slightly humanist touch and even more versatility to the family.
Where would the geometric genre be without shapeshifting full circles into smooth ovals? In order to be prepared for tight headlines or slim columns (and to avoid letterform distortions) the family range of Averta is enriched with optically enhanced Narrow and Condensed widths. To make your life easy, all of the widths and weights are available in one convenient Variable Font file. Equipped with all of these design decisions, Averta is suited for a range of applications from signage systems to visual identities and editorial design details. Needles to say that Averta comes with small caps and a whole range of figure sets, including proportional and tabular sets for old-style and lining figures respectively.
Averta Standard comes with alternate glyphs, case sensitive forms and contextual alternates, in nine weights with matching italics and supports your words in over 400 hundred languages as a multi-script typeface that unites Latin, Greek and Vietnamese alphabets as well as award-winning Cyrillic (3rd at 2017 Granshan Awards) under one roof. Localised letterforms for Bulgarian, Macedonian, Russian and Serbian Cyrillics are included to accommodate your words carefully, but precisely.
Designers: Kostas Bartsokas
Publisher: Intelligent Design
Foundry: Intelligent Design
Design Owner: Intelligent Design
MyFonts debut: Sep 14, 2015
Averta Standard PE™
About Intelligent Design
Kostas Bartsokas is a Greek typeface designer and typographer. During his freelance career he specialised in graphic design, illustration, web design, packaging, and animation; he finally chose to pursue his passion with typography. Kostas holds an MA in Typeface Design from the University of Reading and enjoys innovative explorations in Latin, Greek, Cyrillic, and Arabic type design. He spends his time designing original typefaces, expanding script support of existing ones, and offering consultation for designers and type foundries. He has received numerous awards including a Certificate in Typographic Excellence by TDC, Gold as well as a third place at Granshan, and Award of Excellence and Merit from Communication Arts Typography Annual. He is one proud part of Foundry5.
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