Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.
Winslow Title
by Kimmy Design
Individual Styles from $10.00 USD
Complete family of 45 fonts: $150.00 USD
Winslow Title Font Family was
designed by
Kimmy Kirkwood and
published by
Kimmy Design. Winslow Title contains
45
styles and family package options.
More about this family
FREE 30-DAY TRIAL
of Monotype Fonts to get over 150,000 fonts from more than 1,400 type foundries.
Start free trial
- Aa Glyphs
-
Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
Winslow Title Traditional Family
27 fontsPer Style:
$4.62 USD
Pack of 27 styles:
$125.00 USD
Winslow Title Modern
27 fontsPer Style:
$4.62 USD
Pack of 27 styles:
$125.00 USD
Winslow Script
9 fontsPer Style:
$4.44 USD
Pack of 9 styles:
$40.00 USD
About Winslow Title Font Family
Winslow Title is a high contrast modern type family comes in two styles and a monolinear script family. The traditional proportions of Winslow Title are historical in nature and follow the design and style of Winslow Book as a high contrast variant. The Winslow Title Mod family is a contemporary take on the style, with tapering terminals and less pronounced finials. Each family includes both styles, to be accessed through the opentype panel as a stylistic alternate. If preferable, you can purchase the entire family collection to have easier access to both styles, but it's not necessary.
The typeface family comprises of roman and italic styles in six weights from Thin to Black and two widths in the roman style: Regular and Narrow. The accompanying script family has a single weight but offers five tracking widths, from Narrow to Wide.
The bundle is an elegant combination of styles perfect for titling and display design.
The serif typeface is packed with features that make ideal titling styles. Not only do they include the Stylistic Alternates, but also Titling Alternates, Discretionary Ligatures, Small Capitals, Swashes and Contextual Ligatures.
As noted previously, the typeface comes in two styles, Traditional and Modern. Each can be accessed either by the Stylistic Alternates or Stylistic Sets.
Titling Alternates are alternates that expand the ball terminals to K, R, V, W, and Y (see Titling Alternates slide).
Contextual Ligatures are for capital combinations with A that tighten the gap created by the extended serifs. It connects characters with a pairing serif (the lower right serif of the M with the lower right serif of the A) and bridges them together. This combination works for single and multiple A combinations. It is turned on automatically in the Opentype panel and shouldn’t need to be accessed individually.
Alternatively, the Discretionary Ligatures feature combines diagonal or baseline stems with lifted small capitals, creating a unique combination of characters.
Swashes is an extensive feature that offers up to five swash options per many of each character. These can be selected via the Glyphs panel or as character alternates in Adobe programs.
The Script family has a feature set of it’s own, with initial and final swashes on lowercase letters, middle swashes for select characters, and a titling feature that joins words together by replacing the space with a line. Stylistic alternates create a bouncing baseline on connecting strokes.
*Note: there is no great need to purchase both families as all styles can be accessed via Opentype features, but if customers prefer to purchase both styles, it can be done by selecting the Complete Typeface Family collection.
Designers: Kimmy Kirkwood
Publisher: Kimmy Design
Foundry: Kimmy Design
Design Owner: Kimmy Design
MyFonts debut: Jun 6, 2020
Winslow Title
About Kimmy Design
“Kimmy Design is based out of Santa Monica, CA, but it’s as mobile as I am,” Kimmy Kirkwood says. “I love finding new inspiration and I work from Seattle, Palm Springs, Santa Monica, or wherever the next adventure takes me!” Kimmy founded her company in 2010; the same year that she graduated from college. Her first typeface, Madeleine, which is based on a logotype that she had created for a hotel in Positano, Italy, was actually a part of one of her final collegiate projects. She used it as an opportunity to teach herself about the intricacies of type design and develop the programming skills needed to create a true working font. Since then, her most successful designs have included Lunchbox and Lunchbox Slab: quirky hand-drawn typefaces that give an incredible array of customizable options and an authentically hand-crafted look. “My goal with these,” she says, “was to make them unique enough that the end product from any designer would look as if it was all made by hand.” “I love organic typefaces. Creating something that looks naturally handcrafted and letting the customers make it their own. In every hand drawn family I make I include multiple weights, styles and variations.” Kimmy uses contextual alternates in her typefaces and typically creates 3-5 variations of each letter, giving her fonts a truly hand-lettered feel. “I also usually include stylistic alternatives, which range from creating simple variations on specific letters to a unique style alternative for every character. Small Caps are a great way to give more options to designers while keeping the width and size of the font consistent. All of my font families are multilingual, and many include full Cyrillic and Greek alphabets. Whenever possible, I always include some sort of swash - either in fancy capitals, at the beginning and end of characters, or stylistic swashes.” All of these customizable options give the young designer’s families an intimate, personal feel. “Two different people could use my font and create something totally unique from one another. That’s what makes them so fun to use!”
Read more
Read less
- Choosing a selection results in a full page refresh.