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Alumni

Alumni™

par TypeSETit
Styles individuels à partir de $24.00 USD
Famille complète de 24 polices: $240.00 USD
Alumni Font la famille était conçu par Rob Leuschke et publié par TypeSETit. Alumni contient 23 styles et des offres familiales.

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Par style :

$22.50 USD

Paquet de 2 styles:

$45.00 USD

Par style :

$22.50 USD

Paquet de 2 styles:

$45.00 USD

Par style :

$20.00 USD

Paquet de 2 styles:

$40.00 USD

Par style :

$22.50 USD

Paquet de 2 styles:

$45.00 USD

Par style :

$22.50 USD

Paquet de 2 styles:

$45.00 USD

Par style :

$20.00 USD

Paquet de 2 styles:

$40.00 USD

Par style :

$20.00 USD

Paquet de 2 styles:

$40.00 USD

Par style :

$22.50 USD

Paquet de 2 styles:

$45.00 USD

Par style :

$22.50 USD

Paquet de 2 styles:

$45.00 USD

Par style :

$22.50 USD

Paquet de 2 styles:

$45.00 USD

À propos de la famille Alumni Police


At first glance, there is something familiar about this font, but one may not be sure... “Where have I seen this font before?” Known for his diverse portfolio of script style display fonts, typographic designer and lettering artist Rob Leuschke has taken a step back in time with Alumni™. A true departure from present trends, this font resurrects the clean and simple forms made popular in the 1950s. Originally inspired by the black face Impact™, it soon evolved to include numerous weights from the Black flavor of its progenitor to a super thin Pinstripe. The extreme weights (Pinstripe, Hairline and Black) are designed for display situations while the remaining weights may be used for more traditional textual design applications. The Inline and Collegiate flavors offer added display options. Alumni™ is available in Roman and Italic versions of each weight. Extensive kerning and OpenType programming have been applied to give it optimal functionality.

Concepteurs: Rob Leuschke

Éditeur: TypeSETit

Fonderie: TypeSETit

Maître d'ouvrage: TypeSETit

MyFonts débout: Feb 17, 2015

Alumni™ is a trademark of TypeSETit.

À propos TypeSETit

“I think it’s important as an artist to challenge myself and work outside of what’s comfortable,” TypeSETit’s founder, Robert Leuschke, said in his Creative Characters interview. Based just outside of St. Louis in the heart of the United States, Rob began his career working alongside some of the best lettering artists in the industry at Hallmark Cards. “I began working in the Lettering Department in July of 1983, and that’s when I really began to learn how to do lettering,” he says. “Working at Hallmark Cards was like going to graduate school and getting paid for it. It was fantastic.” He began working as a freelance graphic designer in the late 1980’s and realized that he could increase the production of his work by creating customized fonts of his hand lettering. He has created fonts ever since. After designing a few fonts for larger foundries like ITC and Bitstream, he began offering his designs on MyFonts in the summer of 2004. Since then, he’s seen great success with typefaces such as Corinthia, an elegant script that was featured on our Top Ten Fonts of 2008 list, and Style Script which was one of our Most Popular Fonts of 2013. Where does Rob draw inspiration for his noteworthy designs? “I try to look for things that are not what I would typically do,” he says, “then give them my own adaptation. If something catches my eye, I make a note or take a picture with my cellphone. That’s how I came up with Arizonia. I saw some lettering painted on a truck and took a photo.” “Sign painters have such a gift for beautiful letterforms. As for other designs, since I am proficient at much but master at nothing, I tend to combine styles. Take for example, Lovers Quarrel or Passions Conflict. They both have a calligraphic feel, but I intentionally broke rules and added swashes and swirls, especially with the uppercase forms and then gave them a more contemporary script look.” Prior to 2004, embellished forms were a rarity in the font world. “I think my introduction of more hand lettered looking fonts inspired other artists to think outside of traditional typeface design. For example, I was one of the first designers to offer words and phrases in glyphs with my Holiday Font. I only recently discovered that a term for that is ‘word art.’ I’d like to think that I have been a trend-setter in that respect.”

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