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Aramus Font la famille était conçu par David Bergsland et publié par Hackberry Font Foundry. Aramus contient 1 styles.

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À propos de la famille Aramus Police


Aramus is a new serif font in my continuing objective of designing book fonts that I can really use. In many ways, Aramus is a very different direction for me. It comes from a scan of an old display face that has been radically modified to a much smaller x-height than I have been using lately, plus taller ascenders. Many of the characters needed a lot of correction to bring them into my taste. In general, I have decided that many of my fonts create a type color that is too dense. Aramus is an attempt to get away from that look. Although Amitale has been a very successful book family and excellent to work with, I find I still need something more open with a lighter color. Aramus is the first look at the new direction. The original hand-cut serifs vary a lot, different for almost every character. This gives a little looseness and helps the lightness I am looking for. It will be interesting to see where this all goes. This is a normal serif for me in that it has caps, lowercase, small caps with the appropriate figures for each case. This font has all the OpenType features in the set for 2009. I didn't bother with the CE accents (though I can add them upon request. They will be in the final new book family). There are several ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, small caps, proportional lining figures, proportional oldstyle figures, & small cap figures, plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity. Enjoy!

Concepteurs: David Bergsland

Éditeur: Hackberry Font Foundry

Fonderie: Hackberry Font Foundry

Maître d'ouvrage: Hackberry Font Foundry

MyFonts débout: Nov 20, 2008

Aramus

À propos Hackberry Font Foundry

  • The Hackberry Font Foundry was founded in the 1998 to sell the fonts David Bergsland designed to be used in his digital publishing training books.
  • The goal of David’s fonts is to add a hand-drawn edge to them. In this age of increasing technological “slickness” he purposely loosens the structure and adds “air” to the glyphs with breaks.
  • All fonts are designed as OpenType Pro fonts with special production features. Almost all of the fonts have oldstyle numbers as well as small cap figures, plus small caps, discretionary ligatures & special dingbats.
  • They really shine in book production.
  • The production families have contrasting serif and sans serif families both using the same vertical font metrics—for run-in heads and the like.
  • At present he mainly writes and designs books.

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