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Accueil / Polices / Storm Type Foundry / Baskerville Neo
Baskerville Neo

Baskerville Neo™

par Storm Type Foundry
Styles individuels à partir de $69.00 USD
Famille complète de 41 polices: $499.00 USD
Baskerville Neo Font Poster 1 Baskerville Neo Font Poster 2 Baskerville Neo Font Poster 3 Baskerville Neo Font Poster 4 Baskerville Neo Font Poster 5 Baskerville Neo Font Poster 6 Baskerville Neo Font Poster 7 Baskerville Neo Font Poster 8 Baskerville Neo Font Poster 9 Baskerville Neo Font Poster 10 Baskerville Neo Font Poster 11 Baskerville Neo Font Poster 12 Baskerville Neo Font Poster 13 Baskerville Neo Font Poster 14 Baskerville Neo Font Poster 15
Baskerville Neo Font la famille était conçu par František Štorm et publié par Storm Type Foundry. Baskerville Neo contient 41 styles et des offres familiales.

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ESSAI GRATUIT DE 30 JOURS de Monotype Fonts pour obtenir plus de 150 000 polices de plus de 1 400 fonderies de caractères. Démarrer l'essai gratuit
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Baskerville Neo Complete Family

 41 polices

Meilleure offre!

Par style :

$12.17 USD

Paquet de 41 styles:

$499.00 USD

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À propos de la famille Baskerville Neo Police

One of the most widely used typefaces in the world is actually a legacy of 18th century aesthetics, representing the spirit of late Baroque design, architecture, fashion and society. It has been created and printed for millions of readers around the world for more than two and a half centuries. It influenced many modern typographers. It shaped culture, education, entertainment and science, but also the development of typography itself. As a calligrapher and technical innovator, Baskerville invented new design, papermaking and printing methods, and his typography is very natural and legible to this day. Graphic design today calls for clean and minimalistic solutions, where the use of historical typefaces can achieve a vivid contrast with contemporary elements on the page or screen. Baskerville is undoubtedly the best choice for any kind of publishing house. In keeping with the original inventor’s spirit of excellence, we hereby offer its most advanced digital version. This is not a precise remake of rare Baskerville prints or a restoration of the original punches cut by John Handy, but rather our ideal essence of transitional typography. The old masters were limited by the technology of the time, but today we can dare to have very fine lines, unlimited ligatures, size variations and sophisticated OpenType functions. Drawing, programming, proofing and testing took us many years of development and brought thousands of new letters and dozens of language options. We are convinced that your readers will enjoy this font mainly for reading extensive works, but also for creating corporate identity, orientation systems and cultural posters. Baskerville is perfectly modern in its antiquity, striking in its modesty and timeless in its transiency.

Concepteurs: František Štorm

Éditeur: Storm Type Foundry

Fonderie: Storm Type Foundry

Maître d'ouvrage: Storm Type Foundry

MyFonts débout: Apr 20, 2010

Baskerville Neo™ is a trademark of Storm Type Foundry.

À propos Storm Type Foundry

“I bought my first computer in 1993 and realized that there were no good fonts around," František Štorm says, “so I had to make my own.” He founded the Storm Type Foundry in Prague that same year in the hopes that he would be able to restore the classical values of typography that often times don’t get translated into the digital world. “I started the business when I realized that the fonts I made for myself could be useful for others,” he says. When he began digitizing original Czech typefaces, František teamed up with Otakar Karlas, Jan Solpera and Josef Tyfa, experienced Czech designers.“We are convinced that such teamwork is a guarantee of the permanence of the artistic value of our typefaces.” He made his MyFonts debut with Regent and has released nearly 90 typefaces since, resulting in a collective library that has evolved with the technologies of the last two decades. He started out by drawing alphabets which could be used in book printing, and then proceeded to alphabets for film and photosetting. Now that he is creating typefaces for screens, he focuses on retaining the human touches that have always made his typefaces personable.

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