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Blased

Blased

par Maikohatta
Styles individuels à partir de $15.00 USD
Blased Font la famille était conçu par Gilang Ternadho et publié par Maikohatta. Blased contient 1 styles.

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ESSAI GRATUIT DE 30 JOURS de Monotype Fonts pour obtenir plus de 150 000 polices de plus de 1 400 fonderies de caractères. Démarrer l'essai gratuit
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À propos de la famille Blased Police


Introducing our new product Blased - Retro Display Font

This font is characterized by reflecting joy, cheerfulness and a light atmosphere with a handwritten style often found in comics or cartoons.

This font is perfect for projects that want to highlight elements of playfulness and fun, such as poster designs, invitation cards, comics, or promotional materials aimed at a younger audience or those looking for a fun feel.

Concepteurs: Gilang Ternadho

Éditeur: Maikohatta

Fonderie: Maikohatta

Maître d'ouvrage: Maikohatta

MyFonts débout: Jul 4, 2024

Blased

À propos Maikohatta

Embark on a typography exploration guided by Maikohatta, a seasoned authority in the intricate realm of visual communication. With a steadfast commitment to precision and meticulousness, Maikohatta's expertise shines through.In Maikohatta's interpretation, typography transcends the mere arrangement of letters; it metamorphoses into a harmonious fusion of visual artistry and practicality. Each typeface, whether thoughtfully selected or uniquely crafted, contributes as a distinctive stroke in the broader narrative canvas. Typography, in my view, extends beyond mere legibility, it is a means of evoking emotional connections that linger in the observer's memory.My forte lies in versatility. Whether blending refined serifs for enduring elegance, exploring avant-garde sans-serifs for contemporary appeal, or fashioning bespoke scripts for a personal touch, I navigate the expansive typographic domain with finesse.Beyond fonts and letterforms, I excel in constructing typographic systems that establish hierarchy, rhythm, and visual coherence. The outcome is a seamless fusion of aesthetics and utility, where each typographic decision serves a deliberate role in the grand orchestration of design.

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