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Bokar
par Pelavin Fonts![Bokar Font Poster 1](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/37028_9933dcc08c53daa283cfa8b4c36db60f.png)
![Bokar Font Poster 2](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10004/JWDXhZhipiO8tWI80baEF5sY_91464f9c3de6268fb805ceedb422d1b3.png)
![Bokar Font Poster 3](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10004/JWDXhZhipiO8tWI80baEF5sY_6c38ef05bc2bcf6678cce64dfd131b00.png)
![Bokar Font Poster 4](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10004/JWDXhZhipiO8tWI80baEF5sY_f1c92f568b55beebc5b4558b93eac5f2.png)
![Bokar Font Poster 5](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10004/JWDXhZhipiO8tWI80baEF5sY_6b58fc31b037e17dfb9c150325d02b1f.png)
![Bokar Font Poster 6](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/211237_765021071dd5ec4d2a30abddf2540c84.png)
À propos de la famille Bokar Police
I am inspired by imagery that technology has rendered obsolete. I treasure anachronistic packaging and design which has somehow evaded obliteration by focus groups.I especially admire the packaging for A&P coffee brands Eight O'Clock, Red Circle and Bokar whose eccentric yet elegant typography harkens back to an earlier, less complicated era. The font Bokar is my nod of appreciation to those robust and full-bodied blends spared from the bland, tasteless scourge of corporate branding.
Concepteurs: Daniel Pelavin
Éditeur: Pelavin Fonts
Fonderie: Pelavin Fonts
Maître d'ouvrage: Pelavin Fonts
MyFonts débout: Feb 10, 2010
![](https://cdn.myfonts.net/cdn-cgi/image/width=150,height=150,fit=contain,format=auto/images/pim/10051/py1Qch1pEK8J1QmsNm9wIQuJ_92588011ad8a6c4a20b4d2b8d7ec7cb7.jpg)
À propos Pelavin Fonts
Daniel Pelavin is in his fifth decade of transforming and melding the images and cultural ephemera of our times into cogent and compelling messages for publishing, advertising and communication design. Working his way up through the ranks in the legendary art studios of Detroit, in the halcyon days of the early 1970's. Pelavin apprenticed and worked with artists from the entire gamut of graphic arts professionals, including, decorative, fashion, product and technical illustrators as well as letterers, typographers and designers. A fascination with letterforms from an early age has led him to create fonts, influenced by many different historical periods.
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