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BringInTheFrowns™
par Ingrimayne Type![BringInTheFrowns Font Poster 1](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/305575_8c0f0b8a2239c49df937338b7df154e8.png)
![BringInTheFrowns Font Poster 2](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/98942_fda9d037e68f455f5e6f5d0634214a95.png)
![BringInTheFrowns Font Poster 3](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/281289_83ddab73452b753cff79b54e15b3d49b.png)
![BringInTheFrowns Font Poster 4](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/283742_7cbbb9ae9914b040cb3d7211361bfe6a.png)
![BringInTheFrowns Font Poster 5](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/303412_8bf3e622116b4fad11576e6e118b60d4.png)
À propos de la famille BringInTheFrowns Police
Why use a simple emoticon to express unhappiness or sadness when you can have an entire font proclaiming your feelings? This is a font that may work for notes of sympathy, whether real or in jest.
For the smiley version, see AllSmiles, and if you only want to proclaim a only a little sadness, you can temper the feelings with a plain version of the typeface, FebDrei. In the update of 2011, emoticons were added in the appropriate unicode slots (unicode 1F601 to 1F640 slots)
Concepteurs: Robert Schenk
Éditeur: Ingrimayne Type
Fonderie: Ingrimayne Type
Fonderie d'origine: Ingrimayne Type
Maître d'ouvrage: Ingrimayne Type
MyFonts débout: Aug 5, 2002
![](https://cdn.myfonts.net/cdn-cgi/image/width=150,height=150,fit=contain,format=auto/images/pim/10004/L554M3swIK7dqZJW2MVvmhXW_639d6566b8fc5f96adee3a4db201a7c6.png)
À propos Ingrimayne Type
IngrimayneType distributes digital typefaces designed by Robert Schenk. Robert became fascinated with type design in the late 1980s and began designing type in 1988 with an early version of Fontographer. He has designed a wide variety of typefaces, from standard text fonts to bizarre decorative faces. Many of these faces were designed to meet specific needs but others were experimental, designed as a challenge to form letters that met a narrowly-defined criteria. Areas of special strength in the IngrimayneType library include novelty fonts, picture fonts including tessellations, and fonts with alternating character sets.
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