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FF Clan

FF Clan®

par FontFont
Styles individuels à partir de $65.99 USD
Famille complète de 84 polices: $3,149.99 USD
FF Clan Font la famille était conçu par Łukasz Dziedzic et publié par FontFont. FF Clan contient 84 styles et des offres familiales.

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FF Clan Pro Complete Collection

84 polices

Meilleure offre!

Par style :

$37.49 USD

Paquet de 84 styles:

$3,149.99 USD

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À propos de la famille FF Clan Police


Polish type designer Lukasz Dziedzic created this sans FontFont between 2006 and 2008. The family has 84 weights, ranging from Thin to Ultra in Compressed, Condensed, Narrow, Medium, Wide, and Extended (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. FF Clan provides advanced typographical support with features such as ligatures, small capitals, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Concepteurs: Łukasz Dziedzic

Éditeur: FontFont

Fonderie: FontFont

Maître d'ouvrage: FontFont

MyFonts débout: Nov 29, 2011

FF Clan® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

À propos FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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