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Diaconia Old Style

Diaconia Old Style

par Hackberry Font Foundry
Styles individuels à partir de $24.95 USD
Famille complète de 4 polices: $99.95 USD
Diaconia Old Style Font la famille était conçu par David Bergsland et publié par Hackberry Font Foundry. Diaconia Old Style contient 9 styles et des offres familiales.

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Diaconia Pro Family

4 polices

Meilleure offre!

Par style :

$24.98 USD

Paquet de 4 styles:

$99.95 USD

À propos de la famille Diaconia Old Style Police


Diaconia Old Style is a new rendition of my workhorse body copy font that I originally designed to use for the body copy of "Printing in a Digital World." I became increasingly upset with the lack of lowercase numbers and true small caps. Diaconia started life as a modification of one of the Dutch Bible fonts I traced. It has changed a lot since then (although I have a hard time telling how much because I have lost the original). The plain and italic work especially well when used in very large sizes as display faces. The other four variants (small caps, heavy, heavy italic, and black) are designed for use in book production. Because I format all my own books, I was able to design fonts that met my needs exactly: lowercase numbers, SMALL CAPS font, Mac Command, Option, and Control symbols, ballot box in the section slot, and several other special characters. DiaconiaPro is the OpenType family of my body copy workhorse. This is the first font family I ever created: classic, elegant, easy to read. 583 characters: small caps, oldstyle figures, numerators, denominators, lining figures, accents and a lot more.

Concepteurs: David Bergsland

Éditeur: Hackberry Font Foundry

Fonderie: Hackberry Font Foundry

Maître d'ouvrage: NuevoDeco

MyFonts débout: Apr 26, 2001

Diaconia Old Style

À propos Hackberry Font Foundry

  • The Hackberry Font Foundry was founded in the 1998 to sell the fonts David Bergsland designed to be used in his digital publishing training books.
  • The goal of David’s fonts is to add a hand-drawn edge to them. In this age of increasing technological “slickness” he purposely loosens the structure and adds “air” to the glyphs with breaks.
  • All fonts are designed as OpenType Pro fonts with special production features. Almost all of the fonts have oldstyle numbers as well as small cap figures, plus small caps, discretionary ligatures & special dingbats.
  • They really shine in book production.
  • The production families have contrasting serif and sans serif families both using the same vertical font metrics—for run-in heads and the like.
  • At present he mainly writes and designs books.

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