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Distefano Sans

Distefano Sans™

par Tipo
Styles individuels à partir de $60.00 USD
Famille complète de 8 polices: $385.00 USD
Distefano Sans Font la famille était conçu par Rubén Fontana et publié par Tipo. Distefano Sans contient 8 styles et des offres familiales.

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À propos de la famille Distefano Sans Police


Designed from the perspective of a multi-purpose font family, comprehending the slab-serif and humanist-sans subtypes, the Distéfano typefaces were specifically developed and subsequently tested considering the needs of editorial products, for both print and digital media.    Includes a comprehensive program where formal, style, thickness and slant attributes are especially indicated for the composition of text and headings in newspapers, journals and magazines. For that reason, in addition to the more traditional weights, others, ranging from Light to Black were added. The identity and systemic criteria of this font family doesn’t fall short on diversity of specific solutions, flair and quirks for each variant, especially noticeable in the contrast of the italics to the roman styles. The original drawings of Distéfano date back to 1983; embodied in pencil on paper, provided only the alphabetical characters and punctuation signs for Spanish, and the Sans Serif family. By digitalizing them, their possibilities of use were widened, the set of characters of each typeface were considerably completed considering the current requirements for the majority of the latin and germanic languages, and the slab-serif family was developed. This type family bears the name of the most notable argentinian designer, and it is a homage to his work, that influenced the youth of the 50’s decade of the 20th century, and especially to him, whom I have always recognized as a friend, and a teacher.

Concepteurs: Rubén Fontana

Éditeur: Tipo

Fonderie: Tipo

Maître d'ouvrage: Tipo

MyFonts débout: Nov 8, 2012

Distefano Sans™ is a trademark of Tipo.

À propos Tipo

Tipo is formed by typographers Darío M. Muhafara and Eduardo Rodríguez Tunni, who started creating a type foundry that would promote high-quality, Latin American typographic families , stressing those typographies which are used for text and trying to insert them within the international market. Tipo, and the designers who contribute with their sources to this project, wish to meet the international typographic needs of their clients, based on innovative designs that will meet, as well, all international quality standards.

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