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Enamel

par Reserves
Licences à partir de $49.00 USD
Famille complète de 3 polices: $49.00 USD
La famille de polices Enamel a été conçue par Michael Jarboe et publiée par Reserves. Enamel contient 3 styles et options de package familial.

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Enamel

3 polices

Meilleure offre!

  • Enamel Base

  • Enamel Inline

  • Enamel Line

Par style :

$16.33 USD

Paquet de 3 styles:

$49.00 USD

À propos de la famille


Enamel is an inline bold condensed sans based on a modified version of Sorren. The original letterforms have been customized and carefully adapted to accommodate the monolinear inlay. The dual layers that make up Enamel are united as one with the Inline style, yet are available as separate styles for managing multicolor use. Stylistically, Enamel expands on Sorren's classic, timeless feel with the inline detailing exuding a feel reminiscent of traditional lettering and signage art. For more contemporary, experimental applications the two extreme layer styles can be used independently of each other extending its use beyond tradition. Features include: Precision kerning Standard Ligatures set including 'f' ligatures (ff, fi, fj, fl, ffi, ffj, ffl, ae, oe, AE, OE) Discretionary Ligatures set including (No [numero]) Alternate characters (Aringacute, hcircumflex, and numero sign) Case forms (shifts various punctuation marks up to a position that works better with all-capital sequences) Capital Spacing (globally adjusts inter-glyph spacing for all-capital text) Slashed zero Full set of numerators/denominators superior/inferior numerals Tabular Lining, Proportional Lining, Tabular Oldstyle and Proportional Oldstyle Figures Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Concepteurs: Michael Jarboe

Éditeur: Reserves

Fonderie: Reserves

Maître d'ouvrage: Reserves

MyFonts débout: Aug 14, 2012

Enamel

À propos Reserves

Reserves is an independent type practice focused on a library of designs spanning structured, utilitarian forms and experimental, expressive styles. The collection includes condensed sans-serifs, modular stencils, geometric constructions, and idiosyncratic display faces, often shifting between clarity and graphic intensity. Some families emphasize versatility and restraint, while others explore unconventional rhythms and contrast. The library documents a formative period of independent exploration in typography.

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