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FF Advert Rough

FF Advert® Rough

par FontFont
Styles individuels à partir de $49.99 USD
Famille complète de 5 polices: $189.99 USD
FF Advert Rough Font la famille était conçu par Just van Rossum et publié par FontFont. FF Advert Rough contient 5 styles et des offres familiales.

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À propos de la famille FF Advert Rough Police


Dutch type designer Just van Rossum created this display and sans FontFont in 1992. The family has 5 weights, ranging from One to Five and is ideally suited for advertising and packaging, film and tv, music and nightlife as well as poster and billboard projects. FF Advert Rough provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Advert super family, which also includes FF Advert.

Concepteurs: Just van Rossum

Éditeur: FontFont

Fonderie: FontFont

Maître d'ouvrage: FontFont

MyFonts débout: Jan 1, 2000

FF Advert® Rough is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

À propos FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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