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FF OCR-F

FF OCR-F®

par FontFont
Styles individuels à partir de $65.99 USD
Famille complète de 3 polices: $167.99 USD
FF OCR-F Font la famille était conçu par Albert-Jan Pool et publié par FontFont. FF OCR-F contient 3 styles et des offres familiales.

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FF OCR-F Pro Volume

3 polices

Meilleure offre!

Par style :

$55.99 USD

Paquet de 3 styles:

$167.99 USD

À propos de la famille FF OCR-F Police


German type designer Albert-Jan Pool created this sans FontFont in 1995. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for film and tv, small text as well as software and gaming. FF OCR-F provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system.

Concepteurs: Albert-Jan Pool

Éditeur: FontFont

Fonderie: FontFont

Maître d'ouvrage: FontFont

MyFonts débout: Jan 1, 2000

FF OCR-F® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

À propos FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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