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FF Providence Sans

FF Providence® Sans

par FontFont
Styles individuels à partir de $89.99 USD
Famille complète de 2 polices: $100.99 USD
FF Providence Sans Font la famille était conçu par Guy Jeffrey Nelson et publié par FontFont. FF Providence Sans contient 2 styles et des offres familiales.

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FF Providence Sans Pro Volume

2 polices

Meilleure offre!

Par style :

$50.49 USD

Paquet de 2 styles:

$100.99 USD

À propos de la famille FF Providence Sans Police


American type designer Guy Jeffrey Nelson created this script FontFont in 1994. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, festive occasions, poster and billboards as well as web and screen design. FF Providence Sans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining figures. This FontFont is a member of the FF Providence super family, which also includes FF Providence.

Concepteurs: Guy Jeffrey Nelson

Éditeur: FontFont

Fonderie: FontFont

Maître d'ouvrage: FontFont

MyFonts débout: Jan 1, 2000

FF Providence® Sans is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

À propos FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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