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Graviola Soft
par Harbor Type
Styles individuels à partir de $0.00 USD
Famille complète de 16 polices: $160.00 USD
Graviola Soft Font la famille était
conçu par
Henrique Beier et
publié par
Harbor Type. Graviola Soft contient
16
styles et des offres familiales.
En savoir plus sur cette famille
ESSAI GRATUIT DE 30 JOURS
de Monotype Fonts pour obtenir plus de 150 000 polices de plus de 1 400 fonderies de caractères.
Démarrer l'essai gratuit
- Aa Glyphs
-
Meilleure offreOffres familiales
- Styles individuels
- Spécifications techniques
- Licences
Graviola Soft Complete Family
16 policesPar style :
$9.37 USD
Paquet de 16 styles:
$150.00 USD
À propos de la famille Graviola Soft Police
🏆 Selected for the 12th Biennial of Brazilian Graphic Design.
Graviola Soft is a juicy type family. It is based on our Graviola typeface, but we didn’t just round its corners. We redrew every stem and terminal so they would look just right. Combined with curved diagonal strokes and alternate glyphs, Graviola Soft makes for a super friendly typeface. The family consists of 16 fonts, from Thin to Black and matching italics. While the intermediate ones work for body text, the extreme weights look specially beautiful at display sizes. Each font contains 530+ glyphs, supporting more than 90 languages. Stylistic sets provide alternates in two groupings (a, v, w, y and G, g, &). We think Graviola Soft works best on packaging, logotypes and headlines, but we’re eager to see what else you can do with it.
Concepteurs: Henrique Beier
Éditeur: Harbor Type
Fonderie: Harbor Type
Maître d'ouvrage: Harbor Type
MyFonts débout: Mar 26, 2016
Graviola Soft
À propos Harbor Type
Harbor Type is an independent type foundry based in the city of Porto Alegre, Brazil. It is run by Henrique Beier, graphic designer by major, type designer by heart. I develop typefaces for retail and provide font production services to other foundries and type designers. The foundry was started in 2014 with the release of Densia Sans. First available on a pay-what-you-want basis, it was well received by the public and inspired me to pursue designing typefaces for a living. Later on came Graviola, Garibaldi, Malva and others. Along the way I learned that fonts are more than just nice letterforms. They stand at the crossroads of design and technology, which is why I also pay special attention to the technical aspects of typography.
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