Ignorer et passer au contenu
Accueil / Polices / FontFont / FF Info Correspondence
FF Info Correspondence

FF Info™ Correspondence

par FontFont
Styles individuels à partir de $69.99 USD
Famille complète de 6 polices: $314.99 USD
FF Info Correspondence Font la famille était conçu par Ole Schäfer, Erik Spiekermann et publié par FontFont. FF Info Correspondence contient 6 styles et des offres familiales.

En savoir plus sur cette famille
ESSAI GRATUIT DE 30 JOURS de Monotype Fonts pour obtenir FF Info Correspondence et plus de 150 000 polices. Démarrer l'essai gratuit
Démarrer l'essai gratuit

À propos de la famille FF Info Correspondence Police


German type designers Erik Spiekermann and Ole Schäfer created this sans FontFont in 1998. The family has 6 weights, ranging from Regular to Bold (including italics) and is ideally suited for advertising and packaging and logo, branding and creative industries. FF Info Correspondence provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with proportional lining and tabular lining figures. In 1998, FF Info Correspondence received the The Big Crit award. This FontFont is a member of the FF Info super family, which also includes FF Info Display and FF Info Text.

Concepteurs: Ole Schäfer, Erik Spiekermann

Éditeur: FontFont

Fonderie: FontFont

Maître d'ouvrage: FontFont

MyFonts débout: Nov 29, 2011

FF Info™ Correspondence is a trademark of Monotype GmbH and may be registered in certain jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

À propos FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

En savoir plus

Lire moins