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Integra

Integra

par Sudtipos
Styles individuels à partir de $39.00 USD
Famille complète de 6 polices: $119.00 USD
Integra Font la famille était conçu par Gabriel Martínez Meave et publié par Sudtipos. Integra contient 6 styles et des offres familiales.

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    À propos de la famille Integra Police


    Semi-serif? Semi-sans? Emerging from the hazy border that divides Sans from Serif, Integra aims to integrate both styles in a cool, elegant, contemporary fashion. With its sleek anatomy, flared terminals and almost non-existent straight lines, Integra was inspired by the stressed, modulated, unserifed letterforms incised in the early 15th-century ledger tombs at Santa Croce church in Florence, and the neoclassical grotto inscriptions at Stourhead in England that dates from the mid 18th-century. Integra, however, gives a contemporary, even futuristic twist to these references by featuring original, audacious shapes on key letters like L, E and X; as well as with the modern, generous proportions of its lowercase; infusing it all with a flowing, luminous, Latin American feel. Integra comes in several weights and italic styles, for text composition and display usage. Its rounded counterforms and arch-like shapes lend texts a spacious, neat, architectural quality, perfect for sophisticated content.

    Concepteurs: Gabriel Martínez Meave

    Éditeur: Sudtipos

    Fonderie: Sudtipos

    Maître d'ouvrage: Sudtipos

    MyFonts débout: May 31, 2019

    Integra

    À propos Sudtipos

    Sudtipos is a new collective Argentinian type foundry. New blood, new attitude. A joint venture of four professional designers with lots of expertise in different areas like branding, packaging design, corporate identity, television and new media. “The foundry, or collective as we prefer to designate it, started because of that — packaging, editorial or brand designers making fonts for real designers” Alejandro Paul, one of the company’s founders, said in his Creative Characters inte...

    The Premium Foundry Page can be viewed Here.

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