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Kuunari Rounded
par Melvastype
Styles individuels à partir de $16.00 USD
Famille complète de 42 polices: $169.00 USD
Kuunari Rounded Font la famille était
conçu par
Mika Melvas et
publié par
Melvastype. Kuunari Rounded contient
42
styles et des offres familiales.
En savoir plus sur cette famille
ESSAI GRATUIT DE 30 JOURS
de Monotype Fonts pour obtenir Kuunari Rounded et plus de 150 000 polices.
Démarrer l'essai gratuit
- Aa Glyphs
-
Meilleure offreOffres familiales
- Styles individuels
- Spécifications techniques
- Licences
Kuunari Rounded Regular Pack
14 policesPar style :
$7.07 USD
Paquet de 14 styles:
$99.00 USD
Kuunari Rounded Condensed Pack
14 policesPar style :
$7.07 USD
Paquet de 14 styles:
$99.00 USD
Kuunari Rounded Compressed Pack
14 policesPar style :
$7.07 USD
Paquet de 14 styles:
$99.00 USD
Kuunari Rounded Regular Uprights
7 policesPar style :
$9.85 USD
Paquet de 7 styles:
$69.00 USD
Kuunari Rounded Regular Italics
7 policesPar style :
$9.85 USD
Paquet de 7 styles:
$69.00 USD
Kuunari Rounded Condensed Uprights
7 policesPar style :
$9.85 USD
Paquet de 7 styles:
$69.00 USD
Kuunari Rounded Condensed Italics
7 policesPar style :
$9.85 USD
Paquet de 7 styles:
$69.00 USD
Kuunari Rounded Compressed Uprights
7 policesPar style :
$9.85 USD
Paquet de 7 styles:
$69.00 USD
Kuunari Rounded Compressed Italics
7 policesPar style :
$9.85 USD
Paquet de 7 styles:
$69.00 USD
À propos de la famille Kuunari Rounded Police
Kuunari Rounded is the rounded version of Kuunari. it is a structured square sans type family of 42 fonts. It has three widths and seven weights in both upright and italic versions. The base form is a round-cornered rectangle, and this form constructs the glyphs throughout the fonts. Kuunari Rounded is a straightforward sans serif. It doesn't make any fuss about itself; it just does the job proudly and confidently.
Concepteurs: Mika Melvas
Éditeur: Melvastype
Fonderie: Melvastype
Maître d'ouvrage: Melvastype
MyFonts débout: Dec 14, 2017
Kuunari Rounded
À propos Melvastype
“I have always been interested in various forms of hand lettering, graffiti, sign painting and calligraphy,” Mika Melvas said in his Creative Characters interview. “As a kid I was very interested in graffiti. I drew and sketched it in my notebooks, and in art class my favorite tasks were always the ones that included some typographical elements. At some point I found calligraphy. There was something in calligraphy that fascinated me a lot. It is hard and demanding and needs regular training. And it is so pure; you can’t hide your mistakes or take short cuts. It is just forms and whitespace. I’m not a master calligrapher by any means but I like to do it and it makes me a better type designer and lettering artist.” For Mika, type design was a hobby long before it became the primary way he made his living. He began his career as an art director and graphic designer in advertising agencies and experimented with type on the side. Following his passion, Mika worked hard to guide his career towards becoming a full-time type designer and lettering artist. “I worked on my calligraphy and lettering a lot,” he said, “ and practiced vectorizing them. After a long period of hard training I was able to resign from my art director’s post and start my own foundry. I think it’s good to have knowledge and experience of graphic design — it has worked for me at least. It means that you have an understanding how your clients would use your fonts and what kind of expectations they have.” Since he first began selling his designs on MyFonts in 2011, the self-taught type designer has released over a dozen families. His library spans a typographic range from an extra bold slab serif, Ringa, to his more signature style of playful brush script fonts like Paintlay and Ahkio. “I think hand-sketching is a very important thing – at least for me — especially when you are doing a script font. You can’t beat the flow and rhythm one achieves with just pen and paper. I think you can focus better on the bigger picture; composition, flow and style, when doing things with just pen and paper. I easily rush to fine tune the details too early when using just a computer. Type design is a combination of creativity and engineering and that is very interesting to me. You get the best of both worlds.” For more on Mika, check out his website and follow him on Twitter and Instagram.The Premium foundry page can be viewed Here.
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