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Mashq™
par Arabetics
Styles individuels à partir de $29.00 USD
Famille complète de 10 polices: $249.00 USD
Mashq Font la famille était
conçu par
Saad D. Abulhab et
publié par
Arabetics. Mashq contient
10
styles et des offres familiales.
En savoir plus sur cette famille
ESSAI GRATUIT DE 30 JOURS
de Monotype Fonts pour obtenir plus de 150 000 polices de plus de 1 400 fonderies de caractères.
Démarrer l'essai gratuit
- Aa Glyphs
-
Meilleure offreOffres familiales
- Styles individuels
- Spécifications techniques
- Licences
Par style :
$24.90 USD
Paquet de 10 styles:
$249.00 USD
À propos de la famille Mashq Police
The Mashq script is the oldest documented Arabic Jazm calligraphy style. It was invented by the early Muslims in the Arabian cities of Mecca and Medina, exclusively for writing the Quran and other Islamic religious texts. The Mashq style employed complex ligature and multi-level baseline rules, and therefore it went through a continuous simplification process. Around the time period Mashq was developed, the early Arab Muslims experimented with another short-lived Mashq-like style with heavily slanted vertical stems, which closely resembled the common Ḥijazi style. This style is commonly referred to as the Ma’il (slanted) style. Eventually, the early complex Mashq style was replaced as the main Islamic Arabic script, by a more simplified Mashq-derived calligraphy style that was developed in the city of Kufa, modern day Iraq, which was commonly referred to as Kufi. The Kufic style became the official Arabic script style for centuries before it was replaced by the more developed Naskh, the modern Arabic script style used today.
The Mashq font family by Arabetics includes three styles of Mashq. The first is Mashq regular, which closely follows the script style of Musḥaf ‘Uthman (currently displayed in the Topkapi Museum in Turkey) with only the initial and final Haa’ baselines shifting. The second is Mashq Maail, which emphasizes the features of the Ma’il style shared with Mashq. The third is Mashq Kufi, which closely follows the script style in an adequate sample from the Quran manuscripts of the Bergstraesser Archive. All three fonts include two styles, with and without Tashkeel (dots). The Mashq and Mashq Kufi fonts include two more styles, with and without Harakat (soft vowels), and Hamza. Only three soft vowels are implemented along with their Tanween (double) forms. The Sukoon vowel is the default shape before inserting a soft vowel. Hamza was treated as a vowel in the Mashq and early Kufi manuscripts. Kashida is a zero width character. In the Mashq fonts, inserting one Kashida before the final ‘Ayn glyph group will trigger alternative shapes. In the Mashq Kufi fonts, inserting one Kashida (or two) before the final Yaa’, ‘Ayn, and Ḥaa’ glyph groups will trigger alternative shapes. The Mashq font family by Arabetics was designed to be as compatible as possible with the Arabic keyboard and Unicode alphabet used in computers today. Calligraphic variations were implemented only when they marked significant and permanent script features.
Concepteurs: Saad D. Abulhab
Éditeur: Arabetics
Fonderie: Arabetics
Maître d'ouvrage: Arabetics
MyFonts débout: Jan 3, 2017
Mashq™
is a trademark of Arabetics.
À propos Arabetics
Operating as arabetics.com, Arabetics is New York based private foundry and consulting firm specializing in Arabic fonts and lettering design, and related Arabic typography software solutions. It is best known for producing innovative, and inspiring non-traditional simplified fonts. Arabetics prime mission is to produce quality fonts to support Arabetic scripts computing and typography needs. It was founded in 2003, by type designer Saad D. Abulhab who introduced earlier the US Utility Patent awarded Mutamathil Type Style, the underlying design template behind most of Arabetics fonts. The Mutamathil design philosophy aims at producing extended Arabic fonts that would diversify and enrich users typographic options and address the scripts challenges of literacy, education, economics, technology, global competition, as well as style and legibility. Mr. Abulhab is an IT Electrical Engineer and a librarian. His involvement in Arabic type design and computing goes back to 1992.
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