Ignorer et passer au contenu
Mr Chips

Mr Chips

par The Ampersand Forest
Styles individuels à partir de $35.00 USD
Famille complète de 6 polices: $180.00 USD
Mr Chips Font la famille était conçu par DC Scarpelli et publié par The Ampersand Forest. Mr Chips contient 6 styles et des offres familiales.

En savoir plus sur cette famille
ESSAI GRATUIT DE 30 JOURS de Monotype Fonts pour obtenir plus de 150 000 polices de plus de 1 400 fonderies de caractères. Démarrer l'essai gratuit
Démarrer l'essai gratuit

À propos de la famille Mr Chips Police


Mr Chips is a love letter to modern text serif families like Century Schoolbook and Scotch Romans of all kinds.


There's nothing precious about Mr Chips. He's built sturdily, but with a less upright stance than his forebears, with a lower, more relaxed x-height. Mr Chips is dependable and true, with recognizable shapes that make him a pleasure to read. He's a Clarendon, but without the bulkiness that makes Clarendons difficult in text.


Mr Chips has character sets for Western Europe, Cyrillic, and monotonic Greek. He has a full set of true small caps for versatility and hierarchy, and some fun and functional ligatures.


His alternate characters include a one-story a and g in the upright versions, straight and curly Ka's and Zhe's in Cyrillic, and two styles of ampersand.


He's an all around usable, agreeable guy!


Mr Chips is a companion typeface to Miss McGee, also from The Ampersand Forest!

Concepteurs: DC Scarpelli

Éditeur: The Ampersand Forest

Fonderie: The Ampersand Forest

Maître d'ouvrage: The Ampersand Forest

MyFonts débout: May 27, 2022

Mr Chips

À propos The Ampersand Forest

The Ampersand Forest is DC Scarpelli. And probably vice versa. I am a wholly inveterate Type Nerd. I’ve been in love with letterforms my whole life, and, for 16 years, I taught type history, type design, and typography as a college professor. Type is voice, and I love giving people a voice. A variety of voices, actually, so that they can choose whichever one is best for them for a particular context. And I don’t just mean designers, either! Type’s for everyone, and every typeface has a purpose and context.For me, deliciousness—flavor—is key. Not all type has to be “good type,” whatever that means. It should be designed with thought and care and craft. It should be supremely usable. But it should aim beyond usability toward (trust me: this is the right word) yumminess.

En savoir plus

Lire moins